Danielle Pafunda is the author of The Dead Girls Speak in Unison (Bloof Books, 2017), Natural History Rape Museum (Bloof Books, 2013), Manhater (Dusie Press, 2012), Iatrogenic: Their Testimonies (Noemi Press, 2010), My Zorba (Bloof Books, 2008), Pretty Young Thing (Soft Skull Press, 2005), and the chapbooks Cram (Essay Press, 2015) and When You Left Me in the Rutted Terrain of Our Love at the Border, Which I Could Not Cross, Remaining a Citizen of this Corrupt Land (Birds of Lace, 2014). Her poems have appeared in three editions of The Best American Poetry and have been anthologized in Beauty is a Verb: The Poetics of Disability (Cinco Puntos Press, 2011), Gurlesque: The New Grrly, Grotesque, Burlesque Poetics (Saturnalia Books, 2010), Not for Mothers Only: Contemporary Poems on Child-Getting & Child Rearing (Fence Books, 2007), Hick Poetics (Lost Roads Press, 2015) and Please Excuse This Poem: 100 Poets for the Next Generation (Penguin, 2015).
