Home is not for idylls
Dialing wheels of the hour calendar
To chase the sunrise allocated for
Experiment
History of science
History of feelings (brain retorts)
History of histories
History of
Prediction (50% accurate)
History of lament (💯)
(♾️)
New jobs
Or old jobs with new titles
A blacksmith skilled in swordplay
A ___smith, fill in the _______
Really? Punctuation? In the morning?
Just do everything perfectly
And answer all the questions
Before they are asked
And under the green towel
As the char cools
No one will be satisfied
But the daffodils
The daffodils bloom
Holding their breath
No complaints on the table
Only surly lemmas
The thought
Encoded in the architecture
Touching your toes
To what?
First time I saw a broadside
On the stairs
Memento of an imaginary life
Reproduced in the age of reproduction
Signatures but not in cursive
Howls of the coyote horde
Or a pack of two, how would I tell the difference
Recruiting
Meanwhile the facts
Dig in on the topsoil
Just before the frost comes
Or the frost giants
And we’re the giants, I try
To remind myself
But it won’t keep
Executive desire
Forgetting
At bay
Dinosaur footprints
Do you just flip a switch
And the noise stays out
Like a mushroom
In the pantry
The red books go white
The yellows stay yellow
Marching, marching
On the march
How dare you
Happy Anniversary
I never intended to marry imagined I’d have books too many records whose length if played one after the other would last longer than the life I’d have left I suppose there would be friends thrill of morning coffee scent moving in & out of rooms occasional late afternoon tea the quiet of green pearls opening in hot water or maybe I’d only be able to afford a single room, still it’d be enough sun in backyard filled with poets all summer long fancy adult drinks with garnishes & beers aplenty once Nerissa sang while Des plucked an upright bass I still have photo of Ken with Ted whose holding a large flip phone
the interior mostly subterrain (what they refer to in Boston as a garden apartment) but this was Brooklyn & it was simply called lucky lucky that is to live alone the place inhabited by two poets prior: first Amy & then Sommer that place got condemned the garden boxes dispersed ladybugs found new homes—such a delicate wind from their wings
{19} (on 24)
lightning horizon night ocean
prism cloud privately abyss
hours render eyeless & soft
from the sky to the gutter to
the fissure like air between lungs
In Cahoots at the Crossroads
In the direction of a) pirates
b) emus c) the cockatrix d)
define oblivion. What was known
was the sun was remote and everywhere
and unimpeded. No longer
within its light? The majority (70%)
of the planet’s wild. That was during
a pandemic named for the sun’s crown
in the age of grotesque domestication.
Before then, an all but forgotten account
of the age of buccaneers who proclaimed
they came from the seas (i.e. no nation).
And before then, from a snake’s egg
hatched from a chicken, a most fabulous monster
with laser eyes (i.e. etching the membrane
of reality) and poison breath (i.e. not-
boring poetry), from the Late Latin
Calcatrix, as a translation from the Greek
tracer, tracker–or old slang for a
Wife of Bath wanderer when
I now most want to tell you
how emus won a war
against humans
Twin Cities
While the fool in her detriment doesn’t see the edge and falls,
in exaltation she heralds endless possibility.
Trial and mirror two snakes twirled around the healing word.
Wand. Wind wending towards two wings. Two sentiencies twining.
Sentences trouble. Having lived in such a way, I, a queen
of manifold error, can safely say: Don’t forget your demon.
Shadow you have a twin? How do you like to be summoned?
What is the best moment in a breakout group to bring up placentas?
If it’s true meaning flows so abundantly and multiples itself
d i s i n t e g r a t i o n occasions rearrangement.
Side-by-side consciousness. Give up the sacrificial virgins
in a sylvan world a carpark a zoo a megalopolis a magnetic field
at the Golden Fork Buffet in the Golden Age of Romes.
Ambervision: the good, the bad, and the ambivalent
leave space for continuation and digression a dip into
the milk pool of day that at night finds its double
The chalice
Sprites can be generous
They bear gifts so long
as you are never grateful
giving doors to trees
torn, delaminated, husked
by winter’s end
hanging twigs and chimes
in the chimes tree
adorned by ribbons
a frog on the bank
tumbles in meditation
living so fully
in the moment
it forgot to live
I stuck a note on there
but it fell off
THANK YOU
I back away
cloudsick
burying the lupines
on the top of the hill
tending merry moss
appleseeding, still stumped
trying to ascribe
the trembling
of the earth
to the little voices
of sprites
words like “sublime”
“wonder” “awe
“trembling” “fear”
opening your mouth
to catch the sound
baa say sheep
maa say lambs
the future isn’t hypothetical
it only hasn’t happened yet
Every moment
therefore, is an irony
A macroscope
may help with
being eponymous
There’s no reason
in a land
of many languages
that feeling should
get a word
but not this one
gratitude
inhering in the giver
massaged with
oil of unidentified
a pox or
pestilential light
I want to have
what I have
postdeluvian
I understand flowers
and giants and notes
and frogs tumbling
into swamps
but I still can’t
make sense of
the headless cupid
in the hollow tree
did you put it there?
Dash My Wig
This moment with its unsmooth contours, attention unfolding from the abyss
between given and received, or subject and object. We have to mostly agree
on the abyss, or at least agree to share it, but orientation matters. Reminisce
about how we came to share this particular primordial chaos, to be deep-sea
edge or deep-earth bound, as if I didn’t return home from work and lose patience
with Coco and Desmond, as if I returned home from work to the beastly human pathos
of my family, could just tolerate my love, the legwork required for virtuous complacence.
Some arrivals unsettle. My arrival home from work. A refusal to parse where the chaos
comes from and how while creating more chaos, the mise-en-abîme of mise en abyme.
I came home and was not on board with the moment’s particular iteration of the void,
could not vibe, could not parent, could not be a container for the mixed archaeology
of feelings, the way I fail to inhabit my various inheritances and the way I inhabit
them perfectly. So I remove the magnetic blocks from the bathtub that are scraping
the bathtub coating and tell Desmond, without humor or irony, that I will remove
his bed tent if he continues to do x, y, and z. Sad girlfriend, nagging wife, stern mother.
I cannot believe I behave this way and yet I can and do behave this way, easily.
A queer genealogy seems like something I should have to earn, which is a very
unqueer way of thinking about inheritance. Lines do not always direct us, somehow.
Once settled and unsettled my ancestors did not return but instead turned toward
somewhere else, until the act of turning toward somewhere else became its own
line. Is the angel of history relevant here? I don’t think white people can refuse whiteness,
but we can refuse to follow its lines, refuse desire for domination, for
productivity, we could become collectively angry about whiteness and reorient.
When Desmond wigs out I think of all the times I pick fights over the most minor
thing possible because the magnitude of rage or despair is too much.
I picture my late eighteenth century ancestors saying “dash my wig” to avoid
stronger imprecations. Do not avoid them. Scream, punch your pillow. Dream.
Vertigo
I wanted to know about the bright star
in the southwest
so I took out my Night Sky app
and held it up to the heavens
“Are you Sirius”
in the constellation Canis Major
a ghastly dog
in the Night Sky?
yes you are
I pointed my phone at the ground
and gasped
to see Saturn, Neptune, and Mars
way down & out
through the earth
not up in the heavens at all
I tried to show you but
you said
“You’re going to give me
vertigo”
Up ahead
a car was blocking the sidewalk
Then you said
“I’m afraid I might run
straight into that car up there
and roll over”
And I said
“You’re not afraid—
you want to roll over that car!
Did you know vertigo
is caused not by the fear of falling
but the desire to fall?”
And you called this poetry
not science
And I admitted
I probably learned it
from the poets
whose utterances
are always true
diary 21
[ w/ bright green large format dot grid & black ink ]
the first window
leans with claws
sweeps small
around the gums
hasn’t opened
a line so the line
divides
& then the line
divides herself
the duplicate
divides the same
it fails us
only as soft as
always
[ duplication wides to catch — edge of wind — dead of mouth — the red of her tissues or the red of the future — her mouth yet unformed — her sequence false repeats — at the window — but not in the window — not in twos — not anymore — not daughter —
we didn’t make her —
we wanted — ]
i open my daughter
the wind of her
she leaves lines
on the future
she has yet to
worship anything
i say a prayer it’s only
the idea of her
& in the idea she herself
divides
& the wind
divides
we perform division
& still a daughter
only ever
only daughter
or other
still ever
i wanted you
Summer Rain
A translation of a poem by Yen Ai-lin.
*
Summer Rain
*
It slowly collects milk
until it looks ready to burst.
*
Suddenly, the sky’s become a huge breast,
copious mother love
nourishing every creature crying to be fed.
That rush of milk
like a hoard of snakes
surging into the city’s invisible arteries,
mixing with the mess of junk food already already there,
heading straight for the stomach.
*
Look up;
the sky’s already got that after-a-feeding look.
A shriveled blue pasted overhead.
*
**
*
暑雨
*
它滿滿地蘊飽了奶汁
像是突然會噴灑出來。
*
倏然間,天空變成一只大乳房
豐沛的母愛
滋潤了每個嗷嗷待哺的生靈。
那過剩的乳汁
彷彿蛇群一般地
竄入這城市的隱形血管,
混雜著原本攝取過多的垃圾食物
直通賁門。
*
抬頭一看;
天空已是哺育過後的樣子。
藍,乾乾癟癟地貼在上面。
FOGBOW
As a child I was afraid the suction senders at banks
would suck off my mother’s hands
but now I miss them and hidden tunnels
Collective girl voice as self discovery
I like to do it in spring when they cut off all the dead skin
If by cleaning you mean organizing that’s what I’m doing
The Supreme Court is a dumb name for a court
The miracle of peppermint essential oil
It is so easy to be a spy if you have legs boobs or eyes
Never miss folding napkins for the conversation
a fully set table is a kind of power play
Women diplomats
Obviously the white whale represents the self defeating aspect of colonialism duh
I want a thousand teenagers to read on my couch
Galloping into Hepburn territory
Two more hours of a train that sounds top heavy
and about to collapse because there is no other option
The next book I’m going to read is every book
VALUE VARIATION DELINEATION AND MEANING
I see it for what it is now
That when she describes what she did or what was done to her
She is afraid of intimacy
Sex is not a train sex poem but a relaxed openness with eyebrows
She is great and untouchable
She is afraid of spending money
She didn’t trust the label
Unable to smell peanut butter
She can’t hire a babysitter
She won’t get a pace maker
This plastic bottle refills the other plastic bottle
What’s weird with the dog is you
You only asked me if I minded if you could sit here
because you have no etiquette
which is preparedness
for always knowing what to say in every situation
Never give away your power
Watch Buffy
As soon as I begin reading I pet my eyebrows
When you think of teaching do you think lessons or meaning
When we play with pretend defibrillators
we also pretend chest raises
I type diarrhea until it is no longer highlighted as a misspelled word
just a correctly spelled experience
I have a spray for what is about to come
I don’t really like laying around in bed
but linger at the table after every meal
Life Cycles: Eugene Some Summer or Another
in Eugene feet thru high
grass already going
yellow even though Autumn
is months away
abandoned field rumored
once to be hippie commune floppy
frisbee slits thru still
air Elizabeth’s arm reaches
ever upward Tamara
with a bag of books college
blues on weekday afternoon
how many days of rain
did we wait out
the sun a few sun-
flowers stranded
here & there our final
summer unknown
to any of us a season
later as pumpkins were carved
imagination remade by sewing
needle’s rhythm a bus back
to Philly broken-
hearted listening
to some mopey Sunday’s
song on repeat Utah
one stunning plateau
after the next road
stretching further emptiness
the boy next
to me from Alaska
living out his cracked
Kerouac visions how many
versions of ourselves enter
& exit periphery hacky sacks
hippies given way to hip
hop & graffiti bottom
of my jean pocket
lint of what
was left behind
The Purpose…{18} (on 23)
underworlded where messages
relay decay cooperate
late to the roots lattice later
to listening without hot needs
moon birthed moon lulled what can depth know
but weight equal on either side
of a membrane rupture conveys
cease & suddenly another
death biz each end high fives begin
erupt Chernobyl fungi go
towards radiation passages
of not only time hark bullate
heartened harmscape black frogs acres
learned else said nah on went fatigued
soiled like rich soil as home
Pink moon
Ms. Pac-Man, née ?
Ob is the best prefix
Oblong, obtuse
The trapezoids
Are trapezoiding again
Which means
A solution for the trapezoids
Was devised once
Perhaps not long ago
But the engineers were reassigned
On moon shots
Maybe waterproof robots
The expertise was lost
Like yoga on Sunday
Hairy hearted and barely numinous
With the creak of poetry
A politics without imagination
Agreement gauges
Safe as telephones
Or prophesy machines
Open your clock hands
Plunge him in water
Fast as you can
And cover in green
The next word of the sentence
Comes thenlessly
From the about to, just as predicted
Does that sound familiar
The song of the sparrow?
The ong of the arrow?
HALF UP HALF DOWN
Sit next to someone you don’t know
When the little brown heads stop for shrimp
bowls of cheese
Is it my self who placed them there
on the round plate grandmother orange
Next year we’ll move food to the table
The source that seems like a source is not really
Hidden central
In the large room where new students wait to meet the director
a woman walks in with a tall man
another woman looks down at her own outfit and oh well
Moments when gifts are given and fights are over or boiling
The wolf’s leg is crooked
No, the wolf’s leg is bent for preening
Do you have to keep it all
Stacking mermaid’s purses on a washed up tree log
Status Rei Publicæ
The state of the state. The opposite of Empire is ecosystem or flux;
Henri Chopin said “It is man’s [sic] body that is poetry, and the streets,”
those not-quite-right vibes, the poet’s tendency toward self destruction,
I appreciate that. High-level meetings with creditor nations bring no surcease.
Any meeting with the flux or ecosystem would require a mental abruption
to release our persistent habit of adding more police every time crime
increases. I am good at experimental disassembly, I am not a body
on the streets of the state, sometimes I am citizen, trying new root vegetables
like kohlrabi: why? Traders brought it to Italy in the sixteenth century,
but cabbage has been a thing in Europe for a while and my ancestors
probably ate various forms kale, which makes me feel I-don’t-know-what
when I crave a kale smoothie. Trevor says, “cabbage tastes delicious
if you cook it with other things” and Coco continues to ask about the number
of things in the world. Her world is abundance with precise sensory detail,
I write to remember anything, but my memory goals are ambitious. Somewhere
between Empire and ecology are words like military, citizen, and their opposites.
I can’t see the moon or pluto but I believe in them, believe in this neck pain
that three days hence will be a migraine. I like the monotony of living.
All creatures love a routine, even the ones that don’t. Non-combatants, civilians,
foreigners and aliens all crave at least occasional predictability: The sun,
the earth, the air. We don’t crave the stupid decisions of Columbia University’s
president but we can predict them. Liberation is not predictable: It wasn’t
inevitable that God would keep hardening Pharaoh’s heart, or that the Jew’s Egyptian
neighbors would give them supplies as they fled, or that Pharaoh would march
into the Red Sea. Narrative is full of disasters and inevitability. If you march in formation
you’re an army, but if you walk a scraggly line you’re people, maybe refugees,
There is no total pervasion of apathy. There is debate, dissent, if you march
in formation you might be hundreds of activists holding an emergency seder on
the Senate Majority Leader’s doorstep. In this era of misrule my country sends
billions of dollars to the Israeli military even after the discovery of a mass grave
with over 300 Palestinians uncovered at the Nasser Medical Complex in Khan
Younis, some with their hands tied behind their backs. I can’t bear the star-spangled
Irrationality, I won’t explain the difference between an Empire and an ecosystem.
We’re in it. Them. Are it. Them. That’s us, ourselves, but collectively. We’re it.
Who’s in the room with you?
My sisters, my
ghosts, the elves.
The way it was
isn’t the way it
has to be for
always:
dragging along
the whole rustling,
clanking
entourage.
diary 20
[ w/ bright green large format dot grid & black ink ]
some things that resemble pain are unrelated
to pain, or related to pain only by blood. sooner
or later blood leaves you. her body made the
monster and the monster made the rules.
diary 19
[ w/ bright green large format dot grid & black ink ]
some of us are addicted to turning
whose gentle medicine works even
against a curve. this is a wet body
with a lump in it. there is no such
thing as the perfect mutation. let me
code you a plain. let me plateau you
a fingerprint. ok so our fingertips
distribute what’s been given us
amplified by what sharpens us. ok so
i’m back to uncounting my circles
ok so it’s easy to bleed the pen against the animal
it slows
it tries to tell you
it tires of
telling you
i’m back
to seething in circles
i’m wagging
anyone’s tongue who’s available
seering thank you
into a steak
complexing a sauce
in a series of bowls
it’s easy to bleed
some of what
slices
does so in secret
some blades
automatically drawn
if i drew you a picture
of what happened
it would take
very little time
if i draw you a picture of what’s happening
the center of the page cut out
the center
unbusy
default scraped out
the demon’s just
a little picture
i drew
the dream’s just
a little thought i had
no worries