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Vagrant/流浪漢

Translation of a poem by Yen Ai-lin

Vagrant

Autumn grasses

spread across his scalp,

his two eyes dry

under those withered vines.

No one can weigh

the heft and nutritional value of his soul;

they only see the signs of hunger,

written upon his loose and wrinkled skin

by protruding ribs.

Who is it that failed him?

Or who is it

made him fail himself this way?

Or is it those of us who should’ve been charitable

and refused his existence long ago?

Look at him now, still with a polite air,

take night be the arm and walk

unsteadily

dragging his humble shadow.

*

**

*

流浪漢

秋天的草

在他的頭頂蔓長起來,

他的雙眼乾涸

在枯索的外形下,

沒有人能秤知

他沉重而營養的靈魂;

只看出一種飢餓的象徵,

以他突出的肋骨

書寫在鬆皺的皮膚上。

是誰辜負了他?

還是誰

使他如此地辜負自己?

或則該給予施捨的我們,

早就拒絕他的存在?

只見他仍以禮貌的情緒

攙著夜色而行,

蹣跚地

拖曳謙卑的身影。

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In Cahoots at the Crossroads


As reported from the top

of the tower at the top

of the hill towering above

a baby surely somewhere

Can someone please heal this

unelectable doom? Did you mean

ineluctable? Is the state

ineluctable? Could you restate

your question, dear? I was that bartender

not as I would wish at The Page

but the Afterwit somewhere

at the axis of splitting

and cohering, I’m a god/damn rose

Time to dip your toes in the ocean

the toe-cean and tendril out to sea
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The Friendship Meme

I sip coffee from the orange Fiestaware mug
Heather gave me maybe 20 years ago
set it on the La Reina Santa Fe coaster
I took from the bar Lauren put us up in
I’m staring straight at the champagne-
scented candle Austin just brought me from
Mexico City in honor of Leo as Gatsby
now fully a figure with a life of his own
among me and my friends (are inside jokes
memes with a limited audience or are they
the opposite of memes which must be
replicable says the old book E left near the
toilet called Lifetide wherein I read about
memes before the internet and feel uneasy
learning about how memes are like viruses
we’d better figure out how to harness the
power of the meme which is not a virus
nor an inside joke nor a gift like the ones
from my friends that surround me) I
never had a wedding registry never had
a wedding did have a marriage once
briefly and many long friendships
building a life happens gradually
more plants and cats than Cuisinarts
gifts aren’t even my love language
but sometimes I squint in the right
angle of sun and try to keep the doors
of perception wedged open a little
wider and I see I’m living in a sea of
friendship in which I have a hard time
throwing things away so instead of
space junk or ocean plastic I am caught
in the orbit or swirl of the landfill of love

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I do not live in a seashell’s heart

“When I arrived in that town, everyone greeted me and I recognized 

no one. When I was going to read my verses, the Devil, hidden behind

a tree, called out to me sarcastically and filled my hands with newspaper clippings”

– J.V. Foix

I do not live in a seashell’s heart, but I pick up Coco and Desmond at school

and imagine with fellow parents that a groundswell change of public opinion is 

enough to end the relationship between wage labor and time while our children

play hide and seek. When I sleep, I see clearly, and when I wake, I go to campus 

and forget to pack after-school snacks the day before a full moon. Empty freedom

from fear, I made a list like a border and another like desire, I await the stars

and moon like a good poet dabbling in vatic verse. Not as in Vatican but as in vates 

or wood, woden, Oden. Some distant ancestors probably worshiped him and his ravens, 

mead and runes. Narrative is always strange: drink this mead of fermented blood

and honey to answer any question. Walk back to the car through the little forest

carpeted with fig buttercup, a beautiful invasive spring ephemeral my ancestors

brought from Europe, not knowing it would crowd out bloodroot and wild ginger.

There is nothing to write about, and Coco asks how many things there are 

in the world. “A thousand?” She guesses. Trevor tells her it’s all about what counts

as a thing, the politics of aesthetics. There is one Desmond with ten toes.  

I go outside to look at the moon. Whatever I count can’t matter, but I’m looking 

at the moon, and looking is a kind of counting. I mean storytelling. I mean reckoning.

In this season of misrule I pick up my babies from aftercare, my babies born not within

a seashell’s heart, but within the territorial dominion of this country, not murdered and

left unconsecrated. Sometimes I go to a desk in a shared office or wrapped in blankets

work in a cold studio. I try to get Desmond and Coco excited about visiting the arboretum.

I’d never be the ambassador, but I might be the aging charge d’affairs, writing her memoirs,

getting drunk most evenings, free to actively undermine Empire’s tenuous mandate. 

Settlers don’t prioritize how their own ideas of nationhood and haven-making

undermine even their own ideas of nations and havens. Post-bloom redbuds

across the street not quite yet leafed out. All of this is true. I am not an allegorist.

UMD students started an encampment but no one from central mentioned protestors. 

A coworker pings me saying bla bla bla, but I pick up the phone as if I want an injury.

I pick up the phone and almost read the message. Coco and Desmond argue in the car

about the school playground, and I know any coming to account for this day

requires details about bulldozed farms in Gaza and my piled unfolded clean clothes 

half off my desk. When I hike I look down every cliff and imagine losing my footing,

worry about the dove nesting over our door and her future fledgelings.

For Jerome Rothenburg

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diary 18

[ w/ bright green large format dot grid & black ink ]

some molecules leave a syrup behind, it pools
reluctant to gel anywhere in particular. some turns
of phrase turn green when you’re not watching.
some haunting isn’t haunting, it’s host-engineered.
what’s one more bump if we call it something
broader. what’s one more yelp mutating back too
close to its original. what’s that one familiar digit
in an unfamiliar number. some technology removes
its own buttons, but slowly: no one plays fabric
the way that you play fabric. no one stops the move
before the end of the move the way that you stop.
no one wants to keep knowing their own circles
having been handed squares but color reveals and
revolves, color sneaks out of you, color gives you
away, color sends you back. you’re dull and color
knows it. you’re down where color is up. smear
your face, it doesn’t make a difference: some
molecules were there the whole time.

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LIVE POSSOM

How far can you walk with your shoes untied

How far out into the ocean do you change your mind

What are you doing when you’re not burning fossil fuels

Using the word animals as though they were all one thing

Some day you will thing

You will decap

You will cornea over something else

You will think about your love syndrome

It is Folgers that brought you here

He is not showering today because he showered yesterday

Who made this policy

Go for it under the table

Waddle to your maker

I don’t remember losing molars

or what she said when they had to take me away

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Terror Sleep

she draws & colors in a vigorous yellow sun so that from paper we arise to meet our other selves one breath at a time, one step followed by another cutting a curt trail across a landscape of terror be damned our mouths full of mango & we are leaving a trail of palm fronds
following a trail of palm fronds under a pastel Miami sky sometime or another I
finally fall into it & days
& nights come & go there she is now older singing Taylor in another city Tokyo a
disfigured bridge from there to here & here in this room
& here in this room slowly it falls over me, it engulfs me the terror 
of our waring world
the terror of capitalism
the terror of parenting
the terror of being alive
& accountable subsides into a hard fought slumber
a hard-fought slumber comes with less & less frequency still occasionally it comes which means there will most likely be a tomorrow there will most likely be these words & coffee & it will be May already & we are here for each other in between the words in this poem each with our own odd music
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Round of applause

I stick my nose out into the universe
A basalt on the waters like a floating island
Of language where fear was a redoubt of
Don’t be fooled by last night
I hear equally what I don’t understand
Facts are me at the robots table
Where the warp and the woof
Go perpendicular then upside down
Seeking advice but getting
Only actionable information
Intelligence is too expensive
The savvy dear if you want a thing
First thing to do is already possess it
Assume a position, any position
Describing a nightmare
You shouldn’t be ashamed of having it
But only having been scared of the having
While the having was happened
And you were sleeping in a sulk
And people were fleeing for their lives
Does scarcity inspire you?
The organs you see
In the magic books of my childhood
Are human hands painted and carefully posed
Impersonating animals or an orchestra
With cymbals affixed to the thumb and ring finger
A tiny tuxedo has been daubed on
The paint must have been applied by the other hand
The book is called something like Handimals
But that’s not quite it
When the Internet can’t help me
I look at the dirt and the satellites surveil only hair
I keep thinking home is my refuge
Page 4500
Whole truth half rhyme
Rendering half of a circle
Why so serious about the other half
Spin your arms in the shoulder socket
Loosely, looser, almost there!
There is no partly upside down

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Sometimes We Picnic

The last time I was in an airport, a private company bamboozled me

into signing up for a trial of their security screening program and later

I was rueful about it and canceled. Even in errancy, I could pack a bag

and fly, before babies, before covid, was always self-assured at the

airport bar, lollygagging a last drink before my flight. Sixty percent

of the time I’m nauseous and trying to hide it. My body dissents in

any way involving ears or hives, so many birthdays flying between

hemispheres, as if being vaguely bilious, itchy or tipsy in concourse 

whatever was my particular predicament. What counterforce changed

my fate? I’m not immune to immanent what-ifing or zero-sum thinking

that maybe I exchanged x for y, that I shouldn’t have done a stint

as a daytime bartender and dog walker, should have immediately

gone to graduate school, should have obediently followed an intelligible

path to something like a livelihood. But I don’t actually think that.

I wish I had more money, sort of. Coco screams because the pajamas

are wrong, then screams because she needs someone to be with

her while she screams. I’m at my screaming threshold. Parenting

is helping others when you feel like an incompetent wreck. I think

of escaping to the Cotswolds, walking between pubs and eating

chestnuts, Trevor helps Coco find not displeasing sleeping attire,

Earth holds me when I scream, or the car contains me while Earth

supports the car. Where am I, was I? Post-bath and bedtime, I

read about the status of the ceasefire talks in Gaza, Passover begins

tomorrow evening and I will go to work in this not really quagmire

of an Imperial capital. If it were swamp I’d love it more, but we are

sinking, I hope. I used to feel some vaguely magisterial presence

on the Lincoln Memorial steps. Maybe I need to go there and pray, 

connect with some omnipresent collective grief, feel queasy and obscure

by the reflecting pool, drive thirty miles an hour part way round the beltway

at rush hour as if I lived in Maryland. Instead I bike to the studio, string

and unstring a loom, go to yoga, do a forward bend and then another,

again I wonder why no one has written an anthropology of airports. 48 

hours in London, Heathrow. Why didn’t I get a hotel room? It’s now late 

April and I am thinking of Moses’ adopted mother, the Pharaoh’s daughter,

how the Jews’ Egyptian neighbors gave them gold and silver and clothing as

they left Egypt. The song sparrows abandoned the nest and now above the

door a dove incubates her eggs How in Exodus The LORD seems 

like an explanation not a cause. I can’t dispose of these contradictions.

In dreams I swim deep or float through various apocalyptic landscapes,

the flood is coming but I have learned to live in the water and my dream sea-

scape is calm. Sometimes I picnic in airports, imagine regime change, 

sometimes a lover or friend brings me food and they are always a sign of

the dream’s plutonian dregs, a baseline for the sweetness and trauma 

transforming. In the non-dream world the waters rise, too. When the end

comes, I’ll go to the Full Yum on North Capitol Street. I’ll bring my babies and sweethearts.

We’ll get pork egg fu young and beef chow fun to go, and then we’ll float.

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Copilot

while she’s in the hospital
I’m a little freer
with my seeds

star aster
packed for 2023
impulse buy by the register
in Taos

I pour the packet
into the ground

I’m here breathing
walking eating

things she says
she has to relearn

I did what I could
to keep her
on this side

not the great beyond
the small right here

seeds & spells

I slip the empty packet
into a sack

out falls a slip of paper

a million-mile copilot

grandpa on grandma
after she’d passed
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Fulsom With an Excess at the End

The fortress on the cliff that in the mist
could be an old money or military
lair you point out is Fulsom
which at first I hear as fulsome
with an e and not the end on m.
“Neither slavery nor involuntary servitude
except as a punishment for crime”
“Change things by changing their names?”
It seems telling of imperial history
that fulsome very long ago meant aid
and in modifying form, first meant
plentiful then came via the sense “causing
nausea” to mean excessive flattery
in a confusion of abundance and excess.
How did we get to the Golden Edge of
Everything and miss the stairs? Google maps
directs you around the Tenderloin not through
and instead by a guy in a suit, gun cocked
in front of Hermes. At the gates of a different
hell the anemones have teeth and the succulents
and clocks grow eyes to see everything
you couldn’t do and didn’t know before.
In another version you get a branded cuff
no eye contact and a courtesy card for what
you’re not sure. In another it’s the thought
hell is other people. In the one you can’t control
however, someone’s there to help you
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I Am Not a Violent Grapefruit Eater

So who am I?
If I am only slightly sad — really more like “emoticon-sad” —
and brandishing an alchemical retort as I enter my serious period,
and if I am

            layered,         

            ineffable,

            vexing,       

merely the shadow of moving leaves on a brick chimney five floors up,
with a falcon on my left wrist and a missal in my right hand,
but don’t know who I am,
am I the integrity of victims daylighting near the equipment?
the eggshell colors of the ‘90’s multiplying exponentially toward tonal dissonance?


And if I inherit space but borrow time,
and it’s Christmas day on the radio and I stain your blouse with my fake
cherry cheesecake,
and there goes my adrenal distraction again,
and I am dwelling in my motherboard mementoes and dead-zone fold-ins like a good homo sapien,
applying grout between three big sensory bluffs with my “War Is Hell” in safe mode,
then who I am is a socialist uncle
adorned with chunky academic advisor jewelry,
who just found out that the word for “small penis” is “cookie”
in Hungarian,
and the word “Hungarian” is Hungarian for
“violent grapefruit eater.”

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Three Abstract Images/

Translation of a poem by Yen Ai-lin

Three Abstract Images

Piece No. 1

Loneliness is an easy atmosphere,

but a very heavy

gravity.

A naked woman,

ponderous breasts crying silently……

And on her dressing table a single rose,

gone impotent long ago.

Piece No. 2

That man wants to open a window.

The setting sun beyond

like a woman who’s lost her virginity,

miserably dismally

eyes brim and run with blood.

Piece No. 3

A child

using eyes to shout.

Because his throat’s

been knotted up by neglect.

His father at work outside a cross roads.

Mother, a giant plant in some hospital.

*

**

*

抽象三圖

作品No.1

寂寞是很輕的氛圍,

但卻是一種沈重的

地心引力。

脫光衣服的女人

垂甸甸的雙乳在飲泣……

而梳妝台上一朵玫瑰,

早已陽痿多時。

作品No.2

那個男人要打開一扇窗。

窗外的夕陽

像失去貞操的女人,

慘慘澹澹地

流謝滿眼的血紅。

作品No.3

一個小孩

用眼睛吶喊。

因為他的喉嚨

被「冷漠」打了結。

父親在十條街之外上班。

母親,是某醫院的大型植物。

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IT GIRL

Do we have to get dressed today

Can we wrap rice noodles around words

around chopsticks until we have the whole bowl in a nest

We did not ask for Belle and Sebastian

Why are you stopping we didn’t say stop reading

We don’t want to go anywhere

A purple blanket please

ice purple not happy purple

None of that goo goo slipping off tracks

Get me some more water

How come you never found us

How did you knew we forgot to hide

We always tell the truth

every truth

She’s coming for you she can’t run fast

They are all spilling except for her

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Don’t open the letter

Crack the egg, and there is nothing in it

to live in the world and leave only a name

to be pluperfect, doing the best you can

only gossip or not even, just gossip about gossip

overheard there might be overhearing

the rumors are true so please tell me the rumors

what happened will probably happen

the O could be a spiral seen from overhead

or a cone that meets you on your eyelash

everything was once what it could be

cast in the role of dice as they roll

bringing the beginning of the beginning

do you remember?

roll credits, tides, jellies and drums

the blinding noise, the deafening sight

I thought the kaleidoscope

and the microscope were yours

but now I think they’re mine

singular but multipurpose

irrelevant elephants

unnecessary magnets

illegible stars

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All Way Street


“Spirits hover (vignette style) over my right shoulder. Coldness in that shoulder.” Thus, this is a rose. Jaunita, Ivel, or the ones before, proud rose, sad rose, ecstatic rose, who was the first. A behemoth dandelion. Get outta here to mean come closer. I was thinking actually of Sister Rosetta Tharpe–that footage of her playing at the train station in England. The force of her, her elegant lady coat and her electric guitar. Her right shoulder must’ve been cold too. I will get to the vignette later. It begins: The tax was a tax on your time but not on your sovereignty. Give to Caesar what Caesar is due but take more time to listen to air? In nothing, so much. All that it holds and all that it has seen. The days were accumulating in their rhymes. Rumor had it you were already writing. At some point today I should get paid. The unpaid hours accumulate like air upon air. Spirit upon spirit. Didn’t it rain.