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Summer Rain

A translation of a poem by Yen Ai-lin.

Summer Rain

It slowly collects milk

until it looks ready to burst.

Suddenly, the sky’s become a huge breast,

copious mother love

nourishing every creature crying to be fed.

like a hoard of snakes

surging into the city’s invisible arteries,

mixing with the mess of junk food already already there,

heading straight for the stomach.

Look up;

the sky’s already got that after-a-feeding look.

A shriveled blue pasted overhead.

*

**

*

暑雨

它滿滿地蘊飽了奶汁

像是突然會噴灑出來。

倏然間,天空變成一只大乳房

豐沛的母愛

滋潤了每個嗷嗷待哺的生靈。

那過剩的乳汁

彷彿蛇群一般地

竄入這城市的隱形血管,

混雜著原本攝取過多的垃圾食物

直通賁門。

抬頭一看;

天空已是哺育過後的樣子。

藍,乾乾癟癟地貼在上面。

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FOGBOW

As a child I was afraid the suction senders at banks

would suck off my mother’s hands

but now I miss them and hidden tunnels

Collective girl voice as self discovery

I like to do it in spring when they cut off all the dead skin

If by cleaning you mean organizing that’s what I’m doing

The Supreme Court is a dumb name for a court

The miracle of peppermint essential oil

It is so easy to be a spy if you have legs boobs or eyes

Never miss folding napkins for the conversation

a fully set table is a kind of power play

Women diplomats

Obviously the white whale represents the self defeating aspect of colonialism duh

I want a thousand teenagers to read on my couch

Galloping into Hepburn territory 

Two more hours of a train that sounds top heavy

and about to collapse because there is no other option

The next book I’m going to read is every book

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VALUE VARIATION DELINEATION AND MEANING

I see it for what it is now

That when she describes what she did or what was done to her

She is afraid of intimacy

Sex is not a train sex poem but a relaxed openness with eyebrows

She is great and untouchable

She is afraid of spending money

She didn’t trust the label

Unable to smell peanut butter

She can’t hire a babysitter

She won’t get a pace maker

This plastic bottle refills the other plastic bottle

What’s weird with the dog is you

You only asked me if I minded if you could sit here 

because you have no etiquette 

which is preparedness 

for always knowing what to say in every situation

Never give away your power

Watch Buffy

As soon as I begin reading I pet my eyebrows

When you think of teaching do you think lessons or meaning

When we play with pretend defibrillators 

we also pretend chest raises

I type diarrhea until it is no longer highlighted as a misspelled word 

just a correctly spelled experience

I have a spray for what is about to come

I don’t really like laying around in bed

but linger at the table after every meal

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Life Cycles: Eugene Some Summer or Another

in Eugene feet thru high 
grass already going
yellow even though Autumn
is months away
abandoned field rumored
once to be hippie commune floppy
frisbee slits thru still
air Elizabeth’s arm reaches
ever upward Tamara
with a bag of books college
blues on weekday afternoon
how many days of rain
did we wait out
the sun a few sun-
flowers stranded
here & there our final
summer unknown
to any of us a season
later as pumpkins were carved
imagination remade by sewing
needle’s rhythm a bus back
to Philly broken-
hearted listening
to some mopey Sunday’s
song on repeat Utah
one stunning plateau
after the next road
stretching further emptiness
the boy next
to me from Alaska
living out his cracked
Kerouac visions how many
versions of ourselves enter
& exit periphery hacky sacks
hippies given way to hip
hop & graffiti bottom
of my jean pocket
lint of what
was left behind

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The Purpose…{18} (on 23)

underworlded    where messages
relay decay cooperate
late to the roots lattice later
to listening without hot needs
moon birthed moon lulled what can depth know

but weight equal on either side
of a membrane rupture conveys
cease & suddenly another
death biz each end high fives begin
erupt Chernobyl fungi go

towards radiation passages
of not only time hark bullate
heartened harmscape black frogs acres
learned else said nah on went fatigued
soiled like rich soil as home
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Pink moon

Ms. Pac-Man, née ?
Ob is the best prefix
Oblong, obtuse

The trapezoids
Are trapezoiding again
Which means

A solution for the trapezoids
Was devised once
Perhaps not long ago

But the engineers were reassigned
On moon shots
Maybe waterproof robots

The expertise was lost
Like yoga on Sunday
Hairy hearted and barely numinous

With the creak of poetry
A politics without imagination
Agreement gauges

Safe as telephones
Or prophesy machines
Open your clock hands

Plunge him in water
Fast as you can
And cover in green

The next word of the sentence
Comes thenlessly
From the about to, just as predicted

Does that sound familiar
The song of the sparrow?
The ong of the arrow?

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HALF UP HALF DOWN

Sit next to someone you don’t know

When the little brown heads stop for shrimp

bowls of cheese 

Is it my self who placed them there

on the round plate grandmother orange

Next year we’ll move food to the table

The source that seems like a source is not really

Hidden central

In the large room where new students wait to meet the director

a woman walks in with a tall man 

another woman looks down at her own outfit and oh well

Moments when gifts are given and fights are over or boiling

The wolf’s leg is crooked

No, the wolf’s leg is bent for preening 

Do you have to keep it all

Stacking mermaid’s purses on a washed up tree log

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Status Rei Publicæ

The state of the state. The opposite of Empire is ecosystem or flux;

Henri Chopin said “It is man’s [sic] body that is poetry, and the streets,”

those not-quite-right vibes, the poet’s tendency toward self destruction,

I appreciate that. High-level meetings with creditor nations bring no surcease. 

Any meeting with the flux or ecosystem would require a mental abruption

to release our persistent habit of adding more police every time crime

increases. I am good at experimental disassembly, I am not a body 

on the streets of the state, sometimes I am citizen, trying new root vegetables

like kohlrabi: why? Traders brought it to Italy in the sixteenth century,

but cabbage has been a thing in Europe for a while and my ancestors

probably ate various forms kale, which makes me feel I-don’t-know-what

when I crave a kale smoothie. Trevor says, “cabbage tastes delicious

if you cook it with other things” and Coco continues to ask about the number

of things in the world. Her world is abundance with precise sensory detail,

I write to remember anything, but my memory goals are ambitious. Somewhere 

between Empire and ecology are words like military, citizen, and their opposites.

I can’t see the moon or pluto but I believe in them, believe in this neck pain

that three days hence will be a migraine. I like the monotony of living. 

All creatures love a routine, even the ones that don’t. Non-combatants, civilians,

foreigners and aliens all crave at least occasional predictability: The sun,

the earth, the air. We don’t crave the stupid decisions of Columbia University’s

president but we can predict them. Liberation is not predictable: It wasn’t

inevitable that God would keep hardening Pharaoh’s heart, or that the Jew’s Egyptian

neighbors would give them supplies as they fled, or that Pharaoh would march

into the Red Sea. Narrative is full of disasters and inevitability. If you march in formation

you’re an army, but if you walk  a scraggly line you’re people, maybe refugees, 

There is no total pervasion of apathy. There is debate, dissent, if you march

in formation you might be hundreds of activists holding an emergency seder on

the Senate Majority Leader’s doorstep. In this era of misrule my country sends

billions of dollars to the Israeli military even after the discovery of a mass grave

with over 300 Palestinians uncovered at the Nasser Medical Complex in Khan

Younis, some with their hands tied behind their backs. I can’t bear the star-spangled 

Irrationality, I won’t explain the difference between an Empire and an ecosystem. 

We’re in it. Them. Are it. Them. That’s us, ourselves, but collectively. We’re it.

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diary 19

[ w/ bright green large format dot grid & black ink ]

some of us are addicted to turning
whose gentle medicine works even
against a curve. this is a wet body
with a lump in it. there is no such
thing as the perfect mutation. let me
code you a plain. let me plateau you
a fingerprint. ok so our fingertips
distribute what’s been given us
amplified by what sharpens us. ok so
i’m back to uncounting my circles

ok so it’s easy to bleed the pen against the animal

it slows
it tries to tell you
it tires of
telling you

i’m back
to seething in circles
i’m wagging
anyone’s tongue who’s available
seering thank you
into a steak
complexing a sauce
in a series of bowls

it’s easy to bleed

some of what
slices
does so in secret
some blades
automatically drawn
if i drew you a picture
of what happened
it would take
very little time

if i draw you a picture of what’s happening
the center of the page cut out

the center
unbusy
default scraped out

the demon’s just
a little picture
i drew

the dream’s just
a little thought i had
no worries

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TMW

Who doesn’t love a dinner-and-a-couch friend?

Like, you have dinner and just sit on the couch

discussing orange-peel theory.

Or not.

Maybe you just sit on the couch.

That might be hard for me.

I can talk for hours.

Like, about how the Sámi people

of northern Norway, Sweden, Finland, and Russia

have hundreds of words for snow, and the British people,

of Britain,

have hundreds of words for “drunk.”

They just add “ed” to any noun,

the weirdest ones being:

gazeboed, carparked, oreganoed.

I think I could invent some weirder ones.

I might have to use a hypen, tho.

Like “criminally-infanted” — as in

“Wow, I got criminally-infanted with my

dinner-and-a-couch friend last night.”

Or, “I am way erinaciously-spiled right now!”

Doesn’t have to be limited to drinking, either.

Like, ” I went to the salon and got mob-wife-aesthesized.”

Or, “She Scouse-preposition-W’ed me in the chat.”

Or, “I went to Ikea and bookshelf-wealthed before I 75-cozy-journeyed.”

Abbreviations might work better, tho.

Like, “I got MWAed at the salon.”

Or, “She SPWed me in the chat.”

Or, “I went to Ikea and BWed before I 75-CJed.”

Pretty soon, all communications would just be abbreviations.

Like, “PS, all CMNs WJB ABs.”

But that feels like TMW (“too much work”).

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Elegy for Tamara

facts are the meat 
of robots but robots
can be selective facts
always subjective like blundering
into rumination of a lost
friend Tamara liked the tithonias
but I should
have planted more there
is no ceiling for AI
because it’s
the floor how
every billboard
in SF makes
me unforget
every department
meeting over a screen
in Boston we had lots of sun
we were young 5 to house
in a row of houses
in Eugene a lawn to nap
on bikes for quicker trips
to the river
to the woods
no one carried
a phone Elizabeth
had to wait
all day to tell
me that Allen
Ginsberg died my hands
still dirty from an afternoon
stocking records we took
a bike ride
I read my
Howl rip-off
poem to a stand
of trees maybe
later Elizabeth played
Joni Mitchel on guitar
her voice I still sometimes
miss today its tulips
everywhere & find
myself wondering how old
Tamara would be if she
hadn’t died the memory strung-
out from years in between death
courting sudden to see pictures
of Elizabeth, Amanda, Kim
myself & Tamara—glory Eugene
daze each lost in other each
lost in ourselves green
stems extending ever sunward
that particular green
the grass gets at 3 o’clock
sun boys in bunches some
of them in temper
tantrums girls all cupped
hands & whispers lame
thing about parenting
is how easily stereo-
types are reinforced like do
boys really
behave like that
or have I
been conditioned
to expect that wait
I was a boy once
but neither I nor
the robot remembers Elizabeth
is absent from scene a coast
in Oregon me standing
top of a hill wasn’t Dave
there Tamara on her side
half in sand
her face split
in laughter a picture
remembers what
I forget
I open
an AI browser
type in
memories of
a boyhood
naturally it’s all
gibberish still exercises
in futility
can refocus
the eye out
the window delicate
line of cream yellow
Tamara it’s Spring
again, let me
tell you about
the daffodils
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Vagrant/流浪漢

Translation of a poem by Yen Ai-lin

Vagrant

Autumn grasses

spread across his scalp,

his two eyes dry

under those withered vines.

No one can weigh

the heft and nutritional value of his soul;

they only see the signs of hunger,

written upon his loose and wrinkled skin

by protruding ribs.

Who is it that failed him?

Or who is it

made him fail himself this way?

Or is it those of us who should’ve been charitable

and refused his existence long ago?

Look at him now, still with a polite air,

take night be the arm and walk

unsteadily

dragging his humble shadow.

*

**

*

流浪漢

秋天的草

在他的頭頂蔓長起來,

他的雙眼乾涸

在枯索的外形下,

沒有人能秤知

他沉重而營養的靈魂;

只看出一種飢餓的象徵,

以他突出的肋骨

書寫在鬆皺的皮膚上。

是誰辜負了他?

還是誰

使他如此地辜負自己?

或則該給予施捨的我們,

早就拒絕他的存在?

只見他仍以禮貌的情緒

攙著夜色而行,

蹣跚地

拖曳謙卑的身影。

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In Cahoots at the Crossroads


As reported from the top

of the tower at the top

of the hill towering above

a baby surely somewhere

Can someone please heal this

unelectable doom? Did you mean

ineluctable? Is the state

ineluctable? Could you restate

your question, dear? I was that bartender

not as I would wish at The Page

but the Afterwit somewhere

at the axis of splitting

and cohering, I’m a god/damn rose

Time to dip your toes in the ocean

the toe-cean and tendril out to sea
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The Friendship Meme

I sip coffee from the orange Fiestaware mug
Heather gave me maybe 20 years ago
set it on the La Reina Santa Fe coaster
I took from the bar Lauren put us up in
I’m staring straight at the champagne-
scented candle Austin just brought me from
Mexico City in honor of Leo as Gatsby
now fully a figure with a life of his own
among me and my friends (are inside jokes
memes with a limited audience or are they
the opposite of memes which must be
replicable says the old book E left near the
toilet called Lifetide wherein I read about
memes before the internet and feel uneasy
learning about how memes are like viruses
we’d better figure out how to harness the
power of the meme which is not a virus
nor an inside joke nor a gift like the ones
from my friends that surround me) I
never had a wedding registry never had
a wedding did have a marriage once
briefly and many long friendships
building a life happens gradually
more plants and cats than Cuisinarts
gifts aren’t even my love language
but sometimes I squint in the right
angle of sun and try to keep the doors
of perception wedged open a little
wider and I see I’m living in a sea of
friendship in which I have a hard time
throwing things away so instead of
space junk or ocean plastic I am caught
in the orbit or swirl of the landfill of love

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I do not live in a seashell’s heart

“When I arrived in that town, everyone greeted me and I recognized 

no one. When I was going to read my verses, the Devil, hidden behind

a tree, called out to me sarcastically and filled my hands with newspaper clippings”

– J.V. Foix

I do not live in a seashell’s heart, but I pick up Coco and Desmond at school

and imagine with fellow parents that a groundswell change of public opinion is 

enough to end the relationship between wage labor and time while our children

play hide and seek. When I sleep, I see clearly, and when I wake, I go to campus 

and forget to pack after-school snacks the day before a full moon. Empty freedom

from fear, I made a list like a border and another like desire, I await the stars

and moon like a good poet dabbling in vatic verse. Not as in Vatican but as in vates 

or wood, woden, Oden. Some distant ancestors probably worshiped him and his ravens, 

mead and runes. Narrative is always strange: drink this mead of fermented blood

and honey to answer any question. Walk back to the car through the little forest

carpeted with fig buttercup, a beautiful invasive spring ephemeral my ancestors

brought from Europe, not knowing it would crowd out bloodroot and wild ginger.

There is nothing to write about, and Coco asks how many things there are 

in the world. “A thousand?” She guesses. Trevor tells her it’s all about what counts

as a thing, the politics of aesthetics. There is one Desmond with ten toes.  

I go outside to look at the moon. Whatever I count can’t matter, but I’m looking 

at the moon, and looking is a kind of counting. I mean storytelling. I mean reckoning.

In this season of misrule I pick up my babies from aftercare, my babies born not within

a seashell’s heart, but within the territorial dominion of this country, not murdered and

left unconsecrated. Sometimes I go to a desk in a shared office or wrapped in blankets

work in a cold studio. I try to get Desmond and Coco excited about visiting the arboretum.

I’d never be the ambassador, but I might be the aging charge d’affairs, writing her memoirs,

getting drunk most evenings, free to actively undermine Empire’s tenuous mandate. 

Settlers don’t prioritize how their own ideas of nationhood and haven-making

undermine even their own ideas of nations and havens. Post-bloom redbuds

across the street not quite yet leafed out. All of this is true. I am not an allegorist.

UMD students started an encampment but no one from central mentioned protestors. 

A coworker pings me saying bla bla bla, but I pick up the phone as if I want an injury.

I pick up the phone and almost read the message. Coco and Desmond argue in the car

about the school playground, and I know any coming to account for this day

requires details about bulldozed farms in Gaza and my piled unfolded clean clothes 

half off my desk. When I hike I look down every cliff and imagine losing my footing,

worry about the dove nesting over our door and her future fledgelings.

For Jerome Rothenburg