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MIRROR BALL

a flare of mirrors followed backwards down
to the field the field which does exist and composites
every met field and imagined field and watched
and over heard of and read about a latticed strata   there was  a before
and that before took notes    a pulse   want’s rote echo off
want’s surfaces the brain really wants an answer
to the who-am-i question*  the field is a container
the way the game is a container     we find out
by finding out  a heart char stirred game recognizing
game recognizing game  

*from *the secret lives of sports fans* by Eric Simmons

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Tornado Watch

I have never been so anguished that I’ve threatened someone with death

and I live among Man, who does. My anguish is I don’t know what to do

with this information beyond live. The robins are out. The violets. In my

old life, when the violets ached out the cold dirt, I became overcome with

a genius that stings my eyes. Now, my cat smells a piece of lint on the carpet

and I sit in my upholstery of options. I’ve loved the wrong way for so long

I forgot about the violets, these forever preverbals. I let myself out of spaces.

The lobby door clicks shut and I’ve never been more sorry. I dismiss the red

watch of weather. I pass the dead owl in the grass by the parking lot, a rod

impaled through its head. I say what I always say: I’m sorry this happened 

to you. I’m sorry this happened to you. I’m sorry this happened to you.

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I Can Come As Soon As I Can

I call to my wife across country club bathroom stalls
Which reminds me of summer camp

Hiding amidst pink and potpourri to avoid a plague
Known to most as competitive dodgeball

I don’t glean yet that I’m dreaming
I wish I had met you sooner

That someone could have cradled my wrist
When I could only describe myself as

Abominable in headphones
The bitterest pith in the bowl

Every arrow that skims past my child’s cheek
Is a gaping wound just beneath my clavicle

The reason I am so far behind
Is I always have been

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Desert Aisle

The aisle lists and grows oily
the aisle slips on its own lino
the aisle ravels in its own stiff carpet fibers
the aisle splits the levers from the gears
the aisle swans its frothy edges
the aisle weeps roses and chrysanthemums
the aisle lets go its thighs and lilac tumbles
the aisle softens as salt water collects in its planks
the aisle seems to float, to rise and settle
the aisle wears a cloak of red a cloak of white a cloak
the aisle wears a black look and flexes its pillars
the aisle runs between velvet locks
the aisle gathers spooks
the aisle swells with spook baggage
the aisle admits the party one at a time
the aisle spits them all out at once
the aisle keeps a list and
lists in memory

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2

Encrusted dustbin
o scrolling wind of late
capital and hematoma
let yourself go

Let your fustiest
notions glow with a neon
rot that’s gotten riper
just while I’ve been standing here

Unfurl all them spangles
Hitch your stars to a red pony
wagon on its last-legged way
round the bend, round the bend

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in creased velvet

having a “shut up” cousin 

having three bodies and no cites

having made a spiritual transaction

having bluebells (won’t kill you) 

having your lips disappear

having at least one set of your lips disappear

having forgotten how to call a giant leaf into service

having mispronounced the deepest part of the tide pool

having spent a few minutes in grayscale bellowing 

having a conversation (won’t kill you) 

swaddled in creased velvet 

swaddled much too loosely in creased velvet

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My Love, My Friend, I Will Not Abandon You

“It was her home, and it was on fire.” Kate Greenstreet [Salt]

I don’t think she was ever given a name. Just presented as a possessive, so-and-so’s wife. They said she should serve as a warning. That she was rich. That she was greedy. Have you ever seen fire fall from the sky? Do as I say. It’s really that simple. But she disobeyed. Imagine a woman not worthy of having her name written down in a holy text having so much will to defy a command. She turned around. Saw flames licking the sky. Saw bodies on fire. Saw running bodies burning. Haven’t you ever had a friend that was a little naughty? That was a bit of a nonconformist? It would suck to turn around and see your friend on fire. Don’t turn around always felt like a cop-out so one could murder without a witness. But love is a powerful thing. I’d turn around too, so that my friend on fire could at least see the tears in my eyes. Could see me turn into a pilar of salt. Could see in the end I did not flee like a heartless thing but looked at my beloved city one last time and died weeping. 

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Entropy

The law stipulates that every constitution spreads.

Like blood exposed to water as when at the beach.

When a plane hummed overhead, your arm in the sea.

Cut from an unknown source. The artificial intelligence.

Of cells gathering into mind, dispersed as in wind. Or.

I tell the story of the broken deer degloved at the knee.

Stamping the ground like cables boring into soil. And.

How I followed this cursed Virgil until she blended with.

The understory, which is I suppose its own pool of harm.

So much spreading. When we cease. When we pool.

How strange it is to be an organization. I wear my father’s.

Fitbit because he couldn’t bear the watchfulness. It.

Reminds me to move, to defy earth law, if only for a.

Moment. I write a nine-word novel so I can memorize time.

An iPhone bell rings in the plane humming miles overhead. 

Unbearable distance. I have decided to let the past haunt me.

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The Policy for Now

She floated her fingers like chiffon shreds at the gray dog
panting in the backseat in front of her. Cool, like the Go
thing they do in The Sting with their noses. Go.
The dog took note and turned back to the driver peeling
out on green. Research shows people are less guarded
when there’s a silly old dog in their rearview looking
tired. Our brains mistake panting for smiling.
So that’s the policy for now.

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Collaborator

You have oiled
Where the oil goes
Asking the morning
Is the oil good
The sleeping trees
Drink the earth
Some black roots
Beneath a long
Slippery fingernail
All acting reacts
Going for the arm ring
Throatless word
Coyote
Rips from rabbit
A limp paw
Torn little foot
And it’s lucky?
Rain dissolves the rain
Peach time is waiting
Unbuckle your barrages
Good poems do nothing
Bad poems disqualify
How do you look?
With your eyes

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XSAF

I miss my tumors

My disaster is boring

My revolution is quiet

and requires much preparation

notes and reading

When a book begins with talk of districts

the setting is a future and utopia didn’t happen

By district I mean political control

a theft started softly as chuckles

rubbed into belief and then policy

When I’m quiet just know I’m whining at the door

I’m like the farmer’s daughter who turns straw into gold

except I turn hair into silver

When I say minutes I mean years

It took so long to get to the half-life

By long I mean effort

By so I mean so much

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I should have taken more photos

I should have taken more photos, should have written more details

down; I should not have responded to that particular slack

message, should have tried to tip the scales in favor of good, told tales

to make the tipped scales stick. I bounce back from nothing, track

my so-called progress at getting braver, getting more pronounced

at articulating my needs. Do my children articulate their needs?

They do. Usually with a yell or a whine. I long for unannounced 

company and for the non-edible weeds to grow less thickly.

The garden cetipedes do their thing, but I don’t really know

what that means. I grow more impatient but better at ignoring

my impatience, age has bestowed upon me some self-control.

I don’t know what I should expect of my children. I sign

a lease for a new studio, watch videos about pulling up carpet

and finishing subflooring. I feel like there are a million

hidden meanings in every interaction and I ignore most of them.

The Wednesday farmer’s market is open again and it shouldn’t

be a political statement to say you oppose killing civilians.

Today’s quote from Trump is “I don’t care about that,” where

“that” is enriched uranium in Iran. My opinions get me

nowhere useful, and I’m often against what’s useful. Mike

sends a picture of graffiti in Seattle that talks about making space

for joy and we joke about space for okayness. The untruthful

assertion that joy is where it’s at. Desmond asked me to read

a draft and I edited out so much. Could barely read the poem.

The crucial information was totally inappropriate. I scratch

the scratch until it bleeds and wonder, is this a form of stimming?

I wonder about my ovum, about the ho-hum daily okayness,

my ability to detach. I am brimming with neither confidence

nor detail. I save those for my poems. I find it difficult

to articulate a clear thought at work, and when I do, it renders

me unable to listen to anyone. This is obviously significant.

I have wanted to be an old man in suspenders, have wanted a thought

worth having. Thought. Worth. Having. What is the opposite of that?

That’s what’s in my head, in the poem. None of my thoughts are

mine, but they come to me from whatever trajectory or side of the table

they’re on. My side, your side. Left brain, right brain, no brain.

That’s what Cure for Paranoia sings. So. No brain. No thought. Just the

accumulative meaning of experience, or language, or time. Whatever.

The cogitative capacities of poets have not been overrated. I think

my country actively distrusts poets, and by my country I really

mean the government of this country and maybe most but not all

of the people. The land trusts us. The sky, too. I am trying to fill

out the form about my child, who may need accommodations,

and I think of all the accommodations that would have helped

me through college. If someone had put me on Ritalin earlier,

I might have been able to keep a job. I might have suffered

a little less. Out of malice, I imagine hanging a poitier on all

our living room windows. Like the excessive curtains in my aunt’s house.

No, I haven’t recovered from my last romance, but I have

discovered that recovery is irrelevant. As a lover, I’m destined

to go on loving inappropriately. Forever, I hope. Let me never

get over anything. Let it all pile up. The days, the confessions,

the keepsakes. So that only an archeology can sort them out.

Posted on 4 Comments

MIRROR BALL

before a self a field 
cut green on the air 
sudden shin significance 
a face lights up where
we generate our faces
the field lights up the field 
grass   shapes   possible & actual 
relationships delineated
by chalk    rules   time
exact & endless  how little actually
is the ball while all of it is    
as much space as touch 



Posted on 6 Comments

1

Tap shoe
a lost bag on a porch step
a lie somebody told & stuck to.

After all this time
a bundle of questions
like an old coffee can full of bent nails.

You aren’t saying what you think
you’re saying. Maybe you’re not saying
much at all. And the pine sways

and she stays anyway.
You aren’t undressing this doll.

Posted on 6 Comments

Sloe Train

The train crawls thick with refuse
the train slops lace in butcher’s juice
the train snags tin lids and eye patches
the train soaks up a whale’s tear
the train aflame scorches the gusset
the train hooks over the rafter in the barn
the train waits with its tail in its mouth
the train clutters with leaves and pearls
the train leaves a trail of mucin and wine
the train tucks in the witches tit
the train swaddles the newborn bitch
the train strains and strains and through it
drips one
pitchy
drop



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Am I Doing Great?

Around two am I think to myself:
I should have read the baby books.

I used to think an oversized floral print
Would make me a better person.

Now I sip my coffee and watch my kid
Scrawl a D that resembles

A deflated bounce house.
She’s started to peel her fingernails

So neurosis must be genetic.
Inside a house of impossible people

A child is hula-hooping
Windmilling her arms for attention

Somehow born knowing everything
She does is worthy of applause.