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diary 30

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having never been mistaken for anyone’s mother,
agreed to make the drive north to be echo or copy,
to undress cherries, all stain and no stationary, not
a word you said, it’s not that strong a resemblance.
voided the process for the sea. who sounds like ocean says
ocean twice. who starts the conversation never finishes
it. never finishes. the mirror is slightly inland, deep in
green’s unfinished project. drop dinner. rinse fiber.
ask your pain to alleviate you. among the beasts, two
big ones quietly. two ways of moving on the earth with
four legs. twice the height, half the self-awareness.
the ghosts of other lovers don’t stay but they do pass
through. they do pass through you. they do stick in
the tight spaces where your organs square. the ghost
of fear haunts you until you admit it does. crush the
soda can of your disappointment. the door slams you
and not the other way around. there is no other way
around. the ghost presses through. you press on. the
mirror you is also an approximation of the future. the
future walls are made of glass. the future animals
lick your ankles. the future ground is soft sand.
the past drags and you let it. the past doesn’t drag you.
among the beasts, too many to count. scent is a vehicle
and the road is unmarked. tuck your youth deep in the
hay. press your fingers with the grain of the hair.
they’re no coarser than you are. you’re not here
because their bodies are bigger than yours anymore.
you have permission to visit as much as survive. you
grant your own permissions. the horses lift their
heads unnaturally high but then who’s to say what’s
natural. the whine of a too-long song. the tide sending
itself elsewhere. i pressed my fingers there while
you fell asleep. we were both satisfied. two resting
bodies upstairs. two bodies downstairs, broken
from brief accounts. you didn’t ask. you didn’t
say whose house goes on without him, the unkind
man. witness the unkind man’s broken window, his
quiet way. his tearing roof and awkward ductwork.
his blood’s herd of animals. his blood but never his
face. it never occurs to them they’ll ever be quiet
and then quietness comes for them.

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WAITING FOR PERMISSION

Walking summer streets like a calm supervisor

promotion-based modeling 

Ahead of light

Change I caused

In the cafe I look for food that will care for me

and decide not to order anything

Sitting backward on the train the whole way

Too tired to be prepared anymore

City of many places

Blowhorn dinner

Turmeric ice cream

The feeling of the right subway stop never leaves me

Turning on Smith Street with nothing to sneeze out

Does anyone lose tic-tac-toe really

On the far shores of scholarship and embroidery

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Infinity

Have a good weekend
I said on Tuesday
Spouting poetry right?
Cruisin’

Do you love more what you’ve named
Eventually a double mirror’s deformations null the infinity effect
My epistemology
Friends

I have more to say about recycling operations
Alive metaphor is dead where and when
The sails on the sea have ships attached
How many sidecars per motorcycle unit

Shower poem, meet chair poem
Footnotes, appendices
Shouldn’t all months have 30 days
Shouldn’t seconds be shorter

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Counterfactual anthem

Waking up chivalrous
With an empty belly
A Map of the National Poem
Decorated patchwork
Using the three color theorem

Now the stadium recognizes the song and cheers
And someone shouts the name of the song
In delight of being given
The same gift once again

Eternal return of we’ve been here before
Billboards without content
Mood music
that renders all stories
“Moody”
Mood, not to be confused with feelings

Sorting circles into impossible and inevitable
Probable but no
All former yeses, all nos to nos
A sieve, in between a hoop and a bowl

It’s hard to let go
Of mistakes
When words that disappointed
Come back to me
Extravagant liberties
The chimes chime
And the wind blows
What does familiarity breed?

If you don’t want the tomato
Don’t what, plant the tomato?
Eat the poem? write the button?
Ope your trap door?
When you slice the water
It doesn’t make a second surface
Invulnerable things never get the chance to heal
You can yes or you can no
So just say say say

Notes rhythms undances them
No dragons awaken, the molecules are sleeping
What if all the eternal returns are in the past
And now is the last time ever

Somewhere on every hair-covered head is a cowlick
Two locations on earth the wind is zero
My epistemology, does it exhaust you?

The tone of the voice
Is not its sound
Please step on this corner of the rug
It has your footprint on it already

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diary 29

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was once a circular act of dislocation. where and what
connected to. how many ways to loose a joint. no hurry
to re-socket. no point on a map. no map to speak of.
try reconnect fullness of feeling through practice. wish
nerve death. the path pain takes traces upper arm, goes
deep into shoulder blade. knife for a knife. ask the pain
to stay, tend this new devotion. destined to feel every
little thing. want destiny to be actual, or want the
nerve back.

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diary 28

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how when you become fluctuations
the lines around you become an entire
system

how when you bend a new bend within
a ripple you disband edges

how when we don’t talk we don’t
anymore

how when we don’t remember actually
we do

how you stamp your fingers onto the glass
over & over, building by erasing

how some lines freeze and that’s good luck
for you

how someone arrives to pray for better
instagram filters & whiter sneakers

how love began to reconsider me

how pain is a traveler

how much time do we have

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Departure

At first, I bewail. After ten minutes, I settle into weeping, reading accounts

of people looking for kin among the bodies recovered from yet another mass

grave in Palestine. I spent the day with friends, talking poetry, renouncing 

parenting and work for an afternoon. My body, agitated to impasse,

hives out and the regular solar plexus despair node says “you will surmount

nothing, Poet!” and I say nothing. My mourning is a minimal offering that

makes nothing tangible happen except this poem. Imagine the actual words 

doing something substantial and particular, say the slow long lines contend 

with grief and habitual lassitude, know they’re steeped in the un-undoable violent

paradoxes of American English and white lady tears but keep versing. Trevor

pulls a tick off Desmond who says, “I’ll never roll in the grass again,” and next

to me Coco sleeps off a sore throat while my neck pain moves closer to migraine.

I napped in the grass growing up, avoiding bees, wasps and nettles. The effects

of apocalypse are I don’t know, uncertainty is a given, but the arcane practice 

of any mental gymnastics required to harm people in a hospital is murderous 

self-sabotage, fear of failure. You, IDF and you–Great-great grandpas, with your 

inadequate  support systems other than white supremacy, even though you didn’t 

believe: May we weep. May we deeply feel our unbearable guilt. May we unbend our

unbearability and hold these contradictions. May we divest and may we reckon.

May we accept the implications of what can and cannot be enumerated. I append

this prayer to the poem, knowing there are many armageddons. This morning

I gave the church lady rosemary, thyme and mint from the garden, said I’d read

the Psalms. “After the apocalypse we’ll live like this,” she said. “I’ll dry these for tea.” 

David spends a lot of time asking God what God is doing, and why are they taking 

so long. The church lady recommends tea in anticipation of the end times. Coco

sleeps perpendicular, minimizes bedspace. Preparation variously about birth,

and drinking tea, and getting your shit together to build the magic portal, though

no one opens the gate alone.  Henceforth the poem sings to pass over the earth

to some immortal estuary where it can cease libration, where its heartstrings can 

rest without hierarchical interference. As if freedom might possess us like the

holy spirit, and all this weeping and wailing might carry us out to sea.

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diary 27

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The Dalles was opening up
to consume me. i rolled
alongside the vehicle,
ready to be paved to sleep,
unable to take the required
pills, holding open the
romantic sky by setting
fires. this is full extension
of the leg. this is walking
and crying in sync. little
blue, never home, and
rarely a home after it,
some brief months in the
room without an address,
being gifted radishes by
a nearby swan. it helps
to define the animal.
the definition oozes. i walk
across The Dalles over & over.
i start a jar of what’s
discarded. i do not fit
in the jar. i do not stop
walking. i wiggle into my
body just to fall straight
through. we all become
sometimes interchangeable.
from the floor of the attic
cracks start to form but
the house stays steady.
its glass holds breath so
long even the foundation
dizzies, but nothing falls.
you know how to fit in small
spaces, this knowledge
never leaves you. you leave,
over & over. you walk
until your knees buckle
and surge. i wasn’t praying
i was begging. i wasn’t moving
i was watching myself be
moved. i misunderstood the
valley as opening its mouth,
it’s an easy mistake for someone
who craves structure, as someone
whose jaw goes tight
and rings there.

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diary 26

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lingering spirit drives home, a succinct
ghost with human eyes exploding human
form, replaying human form, a dvd menu
of having been alive, shard of music, bright
light refusing to accommodate deep
sleep.

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Pirate Rite

there was an oud to exalt the process
and cloud to hold it flash
lightning in the plasma when the initiate
says spasm me conch shell me de-nation me
[in which nation = debt intonations cf detonations]
forgive me over a large bowl of emo-punch with much mirth
effluvia thinking we dream of salacious intrepid
dolphins we heaving-headed hydra we feeling into
concatenations this insufficient uttering
the undoing is the divine glitch
of this invitation dread kin inverted
tentacles of love
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diary 25

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sweet turned the phrase an uneven page, so
uneven it rots. plant matter isn’t afraid of all
the ways we selve and salvage, what we
choose without a stable surface. the questions
pile beyond their own letter, the page purpling.

purple, the reminder.

lavender converts to an uneasy feeling, a fruit
the sun refuses to bloom. could choose to burn
the feeling, ash it out, scribble it down. the
unanswered bubble never bursts, just fills
with liquid and shrivels and refills.

purple, the remainder.

some beast in me exactly in bloom, whirring,
swiveling in no direction, breaking eye contact
with any real information. mother circuit board.
motherwire. nothing else to speak of, no one
speaking. if all the blood is encrypted
then none of it is. prepare to bleed in the
backyard for an unspecified amount of
time. everything falls out of itself. we pretend
to apply a formula. we pretend to have
the formula. the clots are purple, a lesson on
capacity.

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diary 24

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we begin with environmental rests until the ground absorbs us, until we pigment and wing. a stain is what nature discontinues. we see so leaky our words fail. we’re kind of waking. we’re studying our leaks, no seed or directive, no matter. the individual gets their measure: even they strand. even they pulled a bell shape in the grass: a bell’s song never singular. the weather ready to flap. we don’t always evacuate but when we do we open pen-side, pigment continues us. we are product or root, no other options left. each root has a bulb and each bulb barely comes back each time. there’s the pressure we tend to ignore and then there’s how we tend what’s compacted.

dear individual,

we’ve begun to sing you this song

its tune is liquid, its art unsterile. it has no genetic basis, the tune that carries carries you, you heave into the air your bell & the air agrees, we all agree.

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Beginners

How do you think
I feel
a closed door

do you know how
to open

As you revel in arcana
your life can change

so it will be you no longer
who should
be changing

when you open do you know
how closed
you were

Too thirsty
to drink or
stop complaining
about being thirsty

To pause
from complaining
to lament
losing the thirst
and its indulgences

Not inscrutable
just barely scrutable
enough to scrute
and who
doesn’t love scruting?
It is an acquired taste

Delights
In being -gogued
when the -gogy
is -gogiest

This light night fun
In movies
is the sort
filmed day-for-night

Battles in fog
Dancing
sprites in midsummer

You merely must love
the possible
or is maximum toleration
a better standard

Several laps
of the circuit
Logistics, duration
tyro to expert

though tyro
sounds precious
and excellent
and expertise
is a prize
so hard won

Would you live
in a present
durable or precarious

Poetry is written in silence
or talking
under my breath
rehearsal for being

can you do that
silently please
comes the voice
in the room

that proverb about
public privacies,
private publications

Polite regrets sent

someone says stop
saying those words

Meteors scare me
I only abide
meteorites or
meteoroids

Glow of old stars
or spoonful singularities
in Switzerland
someday
hopefully

(And if not,
repeat,
bigger, for longer)
(To prefer
begin by preferring)
($$$)

Henceforth
let such words
be retired

They may sleep
in the beds
of the former tenants
so we now
benefit
from their
creature comforts

as their creatures
have always been
the most comfortable

Why?
Is that
your entire answer?

Nothing you
wouldn’t figure out yourself
eventually

in maximum consideration
of all obvious pertinent details

if you live eventually

and among
eventual beings

the wound
immediately begins
to heal
its pain verging
on itch

at the zero point
where two petals
of a humble infinity
meet in the middle

Exhausted
tired of noticing
pointing with a finger

packing in the letters
printer’s orders

embracing

the em
and then
the bracing

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NO NAME NEARBY

Maybe tomorrow will be a hard day

Why did you do this

What is hard

Falling asleep across someone in glasses

with his phone pouring out of his asleep hand

your mouth as open as emu panic

Timeliness is so easy

such as figuring things out

route canaling a routine

coming up with a plan

a pile of boy’s clothes in candle times

There is a people kind of path

with lockets hanging from trees

on the thinner bouncy branch on which you think

there’s no way a squirrel would walk this way

It might hurt your back to walk there

In the spaces of the rock wall are bones

you thought were light 

This puppy is guaranteed to disperse poems from both ends

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In Cahoots at the Crossroads

That it was not the artichoke

in punk bristling bloom or an unlikely

interdimensional dignitary with mittens

knocking at the door not a throng

of butterflies flitting

in sudden single file

through a rip in a curtain

then vanishing not the egg

that was on the desk

then not on the desk then there

again a quiet madness not the crone

in the cave at the core of

the sunburnt hill

drumming the caul

of the waning world or the agony

of its time-keeping not

exactly no it was

the pounding heart

of an emu
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Future remnants

Finding an ear
to talk about feelings
first you must explain
to an ear your mouth
An ear can understand
only certain situations
ear activities

odds and ends
of bones
shivering artifacts, flesh
that manages
small deformations
involute quantities
teeth are legible to ears
but lips are inconceivable
and tongues
Have you actually witnessed
a larynx?

Maybe a surgery
on television
dramatic reenactment
with pen knife
or dread to think
hollow tube of a pen

How do you enforce
your contracts

A stone marked
better safe than sorry
and not sorry
so likelier safe
but not entirely comforting

In such unserious emergencies
all of the promises
spoken and assumed
before the vow of silence
aswirl in the catastrophe
of books euphemistically recycled
stains on the carpet figures
recollapsing the perfect circle
fruit of inquiry
archeologists: 1, archeology: 0

Mashing buttons
marked what does this do
then when
you start to think about
the wetness
of the water
does it help you
get less wet?

Fleeing
along its surfaces
toward the fireworks
of the starlit horizon
with a damp slosh
in your earlobes
like thinking about
a thought

What is the name
of that curve?
How broken
can lines be?
When my mind
exceeds or frustrates
my unexamined expectations
I imagine myself
still having yours
a full mind
in the mind archives
in the mind business and
in the mind your business business

I have to trust you
on a slime mold life level
sort of alive
beyond the crystal world
and in spite of
my supposed allergies
to dust or mites that live on dust
or eat dust for sustenance
or eat the other mites
instantly and constantly
forgetting
so never forgotten
can you imagine
what you can’t conceive
feeling the void
around the unthought idea
long enough for the feelings
to vegetate there
for unthoughts to think themselves
into the salty crevices
of regrown organs
where future birds
build future nests

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diary 23

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some sounds more smoke of
cigarette and some more smoke
of cigar and some vapor
older
wrapped in the arms of kids
the cadence of the cough that
follows is a kind of surrounding
not what surrounds you
but who
not who surrounds them
but how
what interrupts or cuts short
fruit piled high for rotting
puff of smoke for forgetting
there are holes in words
the sounds they make leave
open cracks
where the words would be
sound hits the air
unaware how fast it travels
the kids interlocking
the smoke shot through with
haste

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Arrival

I’ve eaten too many cinnamon cream cookies in an effort to feel grounded

and want to bring the rest to encamped students at George Washington 

University, my alma mater now threatening student suspension. I am astounded

by the boringness of administrators–not astounded, but aggrieved.  Emotions 

emerge: If I feel good at all today it is because of these students and my sister

at UT Austin facing mounted police and all the movement work my sister

and comrades have done at Rutgers that’s gotten zero media attention. Why whisper

when you can chant. The not-yet-migraine neck pain, everyday traducement.

Not concerned about students, protestors, Palestinians or anyone being peaceful.

Charmed and unconcerned, I prepare a list of technical requirements for a thing

at work. In serious WTF news I interviewed for a position with a base salary of 200k.

Do they know who I am, minor poet and basket weaver wearing an old bra, no

socks.  When am I most disoriented? Is it falling asleep or waking up? Disorientation

is all I’ve ever wanted, disorientation and love and wine, a little making out

on the beach before a nap. This will not scandalize you nearly enough, the absurd

duplication of so many absurd tasks resulting in so many absurd work products.

Without cessation, I project facial expressions, offer various hand gestures,

express frustration with self and supervisor and self as supervisor. Antispasmodic

digital products could be a thing, I think, as I add funds to Desmond and Coco’s

Scholastic book fair e-wallets. What I want to call incredible panic is entirely

credible, completely the norm. What should not be the norm are mounted police

at anti-genocide protests in the United States.  Other norms to rethink: my inability

to function without fluoxetine. There is no benign baseline to account for my quarterly

increase in panic, and those capsules are all out hard to swallow.  By Friday afternoon 

I lack civility or social filters. “I have left the office,” I Slack my boss, “would you like me

to return and do x, y, z?” No response. Three nights ago the full moon had me swoony

with longing to sing of impending doom in a mournful, unearthly voice: it’s too late.

Nothing’s on the rise, it’s here, it’s here, so I sing like a banshee about the means of

thwarting reactionary violence as if I know what business as usual is not, as if I am

not distrait and taciturn with premonition. Desmond climbs three-quarters of the way

up a tree and says, “these leaves are my home and will protect me.” Yes, child. Stay

in the tree. We don’t have to go home and work, or make dinner, or sleep to be

productive tomorrow, or double-check that the datagrams have sufficiently passed 

across the network to whatever degree that matters. I check the plants. The fig tree leafs

around and out, the aphids eat some honeysuckle and I overprune it. As biased as

an oblique slant athwart empire, which means these statistics run a sharp transverse 

across conventional presumptions. Can we arrive crossways? Can whatever arrives 

arrive crossways? Miles east in Ohio Brett reminds me that literal Nazi’s are protected

on campus under free speech laws. That’s how this is arriving, arrives, has arrived.

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diary 22

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when does information become form?

when do you take information into your body?

when does your body have a decision to make?

what escapes translation?

what escapes the body?

what translates code to flow?

what information comes only in a dream?

what information comes only in the mail?

how does information become form?

how rapid is your transcription?

for example:
here is the tiny organ that codes their own tunes

for example:
it may be the crack that accompanies lightning
it may be the deep slide of skin against something unslick

for example:
the plan blooms on the inside

all sounds have a plan

(you do not have to believe me to know)

(if you have screamed into both a closed space and an open one, you know)

(if you have wept in public and in private, you also know)

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Lament

Home is not for idylls
Dialing wheels of the hour calendar
To chase the sunrise allocated for
Experiment
History of science
History of feelings (brain retorts)
History of histories
History of
Prediction (50% accurate)
History of lament (💯)
(♾️)
New jobs
Or old jobs with new titles
A blacksmith skilled in swordplay
A ___smith, fill in the _______
Really? Punctuation? In the morning?
Just do everything perfectly
And answer all the questions
Before they are asked
And under the green towel
As the char cools
No one will be satisfied
But the daffodils
The daffodils bloom
Holding their breath
No complaints on the table
Only surly lemmas
The thought
Encoded in the architecture
Touching your toes
To what?
First time I saw a broadside
On the stairs
Memento of an imaginary life
Reproduced in the age of reproduction
Signatures but not in cursive
Howls of the coyote horde
Or a pack of two, how would I tell the difference
Recruiting
Meanwhile the facts
Dig in on the topsoil
Just before the frost comes
Or the frost giants
And we’re the giants, I try
To remind myself
But it won’t keep
Executive desire
Forgetting
At bay
Dinosaur footprints
Do you just flip a switch
And the noise stays out
Like a mushroom
In the pantry
The red books go white
The yellows stay yellow
Marching, marching
On the march
How dare you