Diagonal lines are going somewhere—
teeter like they’re about to
fall
The curvature of the field
is incomplete an opening or exit
Page after page of black
white gray and then
a flash of yellow As I slip
into sleep I recognize its pattern
dipping in and out of air —goldfinch
Endodox
To hold
the anti
of the thing
against the thing
to make it purple
in the red light
your insides
cherish
So easy
to smash
the little thing
to see the anti
to raise your hand
and move at it
the waterfall
and your torso
already wet
from the mist
every object
sprays off itself
Nothing
doesn’t choose
The skin
that touches skin
then presses
till skin gives way
membranes pop
and the words
smear
ink around
Is orthodox
the opposite
of paradox?
A pair of ducks
they say
like any two ducks
in the skein
can be paired off
V
Duck 1: I’d rather not
Duck 2: But I’d rather
Don’t my rathers matter?
You’re using
language
too much
the poet says
try something else
A colorist pales
violences
of ultraviolet
Doxy doxa
dog whistles sonata
heat death alive
the ant-
i wash away
This notapoem
is a recipe for
words a poem
package comes in
Masquerades
in tin, fur
query or inquiry
then sponse
Spectra
for every letter
in order
one at a time
yes no materials
All at once or
once and for all
A ray B ray C ray
D ray E ray F ray G
ray H ray I
et cetera
endless et
And then?
Empathies
empathied
every last one
Already Irises Pantoum
Already irises on the alley’s north edge
Maybe you had to wait for spring
To start missing this place
No future in a brown, barren world
Maybe you had to wait for spring
But you can’t miss the place you’re in
No future in a brown, barren world
Today’s T-minus three months
But you can’t miss the place you’re in
Rent check mailed, potluck later
Today’s T-minus three months
Scrub the rugs, open the windows
Rent check mailed, potluck later
Dilated today, bright greens and blues
Scrub the rugs, open the windows
Obeying some kind of silent orders
Dilated today, bright greens and blues
This week the leaves came all at once
Obeying some kind of silent orders
The French doors of their knowing
This week the leaves came all at once
When did you open to the invisible?
The French doors of your knowing
Light rose & sandalwood incense
When did you open to the invisible
To start missing this place
Light rose & sandalwood incense
Already irises on the alley’s north edge
25
We drove into the sun
A few trees flowered
You put some music on
& I hummed a little
Innumerable bridges later
We spoke at the same time
saying the same thing
then both said nevermind
talking to myself
We stopped at the record store
but the thing you wanted
had just sold out
No hurry at all
to drive into the sun
as a few trees flower
Eleanor, We Have Put These Difficulties Behind Us
Sure it’d hurt Eventually he’d be making dinner For someone else Some people are unlucky
They stay alone Their entire life Not him he’d fumble or drift into someone’s else’s life
He was predictable Is that What made him less desirable? She held his hand
She’d leave him A note Slip out In the morning Before sun appeared
Last visible stars dull and hard It was enough Light jacket Half zipped
Visions of subways Busy city intersections An idea of dinner A quiet café
Seat for one Another life She would Have another life
Mini Mid-Spring Day
My sister’s apartment was being renovated: a massive ramp jutted out from the side of the building, bricks and debris sliding down. She said we could walk under the ramp to get inside, and I was wary but went along.
Looks like it might’ve been a tornado after all, so it’s good we got out of bed and took the cats in their carriers to the basement just before midnight. You show me on the map where you sprinted down the hill on your bike a few hours before winds hit the same spot. You’re gung-ho about vacuuming; it’s your day off and my comment that we live in filth made an impression. I always think of Bernadette to Lee Ann (“And she says she does not clean anymore—it just makes things more cluttered”), then feel free to stop caring.
Sunny neighborhood walk, air cool and fresh. Picking up tree branches in my path, some over an inch thick, and tossing them onto what they call the right-of-way in this town (one of my favorite Wikipedia pages lists all the names). Texts from my sisters about an averted shooting in New Orleans (sister from ramp dream is there for the weekend; poets were there for the festival last weekend). I see you’ve put our futon frame on the curb.
Reiki I on Zoom for three hours, then an hour break. Cucumber-cheddar-Triscuits-mustard snack you invented. 45 minutes left, exactly enough time to walk over the river and back. The magnolia has lost its blossoms; a moment later on the ground, a stray pink petal like a wink. Geese jab beaks in muddy riverbank. Red-winged blackbirds shriller than any woman unfairly maligned. Crossing the spearmint bridge, hello quarter moon against pure blue sky. Dollar bill flutters in the grass and I pluck it. At the mailbox, name and social security number has been exposed again.
I receive the attunements. Afterward, lying on my back with hands in position, unexpected transmission that boils down to: My guides were down the street from my childhood home all along. Surprise-cry a little. The teacher said something like this might happen, but I didn’t think it would happen to me. After class, dazed for a while, then wander into the kitchen. You’ve made a perfect salad (secret ingredient: thoroughly rinsed red onion in vinaigrette) and a garlicky flatbread that’s weird and wet but we’d still eat it again.
Dishes, cat-treat rituals. Write poem from journal, notes app, and memory while sitting on the back deck until 8:30 when it’s too dark to see, then move here to the couch.
*
Six parts of the day borrowed from Bernadette Mayer’s Midwinter Day: Dreams, Morning, Noontime, Afternoon, Evening, Night.
24
Green-hued blue
Red-hued blue
Primary blue
Blue rain in
a blue mood under
a rankled blue moon
What I wouldn’t give
to give it over
to somebody else the long
tail game of wait & see
aches with misspent vigilance
& never pays out
I’ve got nothing
up my frilly poet sleeve
No ochre tokens to cash
No dogeared cards in naphthol red
Just a printed map
with a few things circled
Where you wanna go
Where you been
Where you know who you are
Fear of
Spick and span
Or one or the other
But not both
Venn diagram
Of what is diagrammatical
And what is not
The marks on your body
Descend into your body
Skin neverending
Erasures reinscribed
A system
That monetizes money
Gawks at free things
Freedom to think
To say what will be done
And witness the doing
Safe
Beyond the shock front
The present provides
From longer spans
The left tense
And the right
The revenants
And the reverents
Take your hand into
Your other hand
Where it joins
Other others
In a slurry of
Galaxyzygy
Eclipse songs
Subtle mud
That leaves a mud smell
Everywhere it touches
Even the world
After you
Wash the world away
Gentle
Scrape my freckle
With your fingernail
EAT WITH OUR HANDS
There’s nothing better than a book that smells like a white bra
or a string of mustard
All of our books have wet or dry food on them
Why aren’t there dining tables with shelves
Did Proust change me or did time go by
I assume a rule
hard work will be rewarded
Why compulsory sports
not compulsory daily poetry writing
You can’t put a book down like that
it’ll hurt the spine or the dog will eat it
A coyote visits my yard because she likes my books
and is okay with loneliness and fear
She underlines me with her eyes
If we’re all poets when we dream she says
we’re all filmmakers when we daydream
Eleanor, We Have Put These Difficulties Behind Us
In twenty years His hair would be thinning In thirty years Skin starting to sag on the bone
He’d still be Shelving books Dreaming aloud Half in this world half in his head
She didn’t hate him She’d never hate him But The pond He wanted to go
See the pond It had a little island Full of lilies Then he’d start rambling
About the painted turtles the false map turtles Always the goddamn turtles
No she wouldn’t let anger seep in He liked turtles So what? It already felt distant
An imagined life About to begin The turtles sunning on the rocks
Season after season of blooming lilies She’d seen it before She wouldn’t see it again
Sums Equations Addition Subtraction Division Multiplication
How a life can be reduced to math No, she wouldn’t pity him
Waxing Crescent
I planted two soft potatoes in the back yard
just to see what might happen.
I clawed out nails from the top of the trim,
used them to hang gifted Grapefruit prints
next to the bathroom door.
Then a night fragment dangled:
standing on my aunt’s couch, taking down a red tapestry
because it was too much—
her walls were stuffed with paintings already.
The move is a season away
but the moon eggs me onward, waxing again, coolly
suggesting I toss up a few more things.
Why disobey my dream? Why blithely plant a flag
of denial, then hammer it into the earth
for good measure?
I even think there’s time to make a new friend,
which is either a sign of guru-grade mindfulness
or a train that doesn’t quite make it over a hill
and slides back down the rails,
a child shimmering in the vanishing point
of a gravel alley, chasing a ball,
a face squinting at the sunset while dandelions
and violets bloom on the far side of the skull.
A teacher once told me the body’s back side
holds grief. There’s so much you’ll never see
without a mirror: pointy scapula, twisting spine.
And life will go on and on no matter which way you face
or how you contort.
Can I choose, or will I always follow the signs?
Now, every time I head to the bathroom
Yoko is there to remind me:
Listen to the sound of the earth turning.
Listen to a heart beat.
23
Choose strife & chew well
The shards are not so tender
The tv cuts itself off
The lights upstairs cut themselves off
The kitchen is dark
I’m just dimming a little
& from the other room
the internet glows—
It’s 10 p.m. Do you know
where your poems are?
Paint dries at different
speeds, a fact & annoyances
& from the other room
the internet glows—
Did you mean blood books?
Did you mean blood books?
Sure
How to write when completely distracted, burned out
How to write when completely distracted, burned out, the figure of time
as a perpetually lovestruck asshole who is largely unwilling to get shit
done yet carries on anyway, like the good time they are, begrimed with
experience and wonder that just won’t quit. I get it, you’re not wondering
how to approach the situation so much as wishing the situation didn’t exist.
I’m glad for existence, though, enough to feel like regret is still worth it,
still worth the weird energy that sparks between humans. I missed you,
friend, and panicked a little when I saw you again, something unearthed
from whichever part of my body stores lust and ambiguity, the part of
my soul that hovers just above myself and wonders what the hell I’m doing.
I missed you, too, city, in your springtime lushnesses and hive-causing pollen
wafting from the branches above, a dove cooing on my windowsill. I pitch
woo easily, especially while sneezing in spring, tits up, shoulders back as I
walk into the gallery, office, studio, bar to meet my friends, my beloveds,
all in my feelings, the day stacked with time (that asshole), as I stand by
hoping you’ll message me something witty instead of something polite
or something about what groceries we need, what becomes of us when we
work and parent only. But my desires are all mixed up. Exactly mixed up
in the right way. Every month I wonder what this month is. So what is April?
Just when we think we know the time it changes. They change, and whatever
wooing strategy long since messed up for good by what I’ve been told is an
intimidating enthusiasm. That you should be so lucky to have this poet’s
attention, and this poem’s attention, too. All the better to woo you with, syntax
undone and reformulated into something more interesting than our texts, eros is
waiting and they are both impatient but in it for the long game. When I’m 60,
70, 80, 90–you just wait, eros. I mean don’t wait. But also, wait! I do not miss
the particular way I was lost in my youth, but I do miss the way I could conduct
a campaign of soft attention or enter into a minor flirtation. I promise you,
I am a sincere man, woman, whatever. There are no palm trees where I come
from, and I am from no where, or else from an obscure province, one you’ve
been to on summer vacation if you’re kind of artsy. I become undone, thinking
of you. No seriously. The one you choose is not always the one you love, but I
don’t have that problem. I always choose the one I love for my sweet attention
and major flirtations and unexpected trajectories of encounter, even though
encounters are rarely unexpected and usually overdetermined. I compose with
divided intention. The grasses on our lawn grow at uneven rates and I love
unevenly and widely. Don’t keep this between us. Instead, let it be in the world.
Let it be with the ghosts of all our past loves and loves, appropriate and inappropriate,
and I won’t tell you which is which. Swirled terrible coffee and and tilted responses
to come ons. I’m doing my face with misaligned theory–lots of lust and pink,
I put my love in the poem, pitch woo to the poem, make my vows to the poem.
Where’s the bar and where are you? Where’s the conference and where are you?
What sonic aesthetics do you need for me to prove my devotion? Who is time
in your mythology? How do you align with the universe? Listen to me, listen to me.
Eleanor, We Have Put These Difficulties Behind Us
There were zinnias lining the garden entrance Common flowers The eye forgets To track A path
that led to so many shades of dahlias The bench Was it on the bench? They sat on the bench
It was a weekday Garden mostly empty There was Sun and still more sun
Squirrels playing games With each other fat-breasted Robins
Hopping here and there Fingers hoping Fingers touching then pulled away back stiffens
Something in the air shifts Maybe She already knew He kept talking about leaving
There was a time When they both would dream aloud But now She kept her words
to herself She was leaving without him Would she tell him
MEAT MAKES ME GASSY
What’s up
I hate it when you ask me that
What are you doing
Can’t you tell I’m reading
What are you reading
A book about the history of books
What are you doing
Reading a book about bookstore owners
Does it include you
I haven’t found myself yet
I read today that we love art and art loves us
Is that what John said to David
Does art love us
No but art keeps it all together
Yes he does
Do you write before or after going to the gym
I don’t go to the gym I don’t want to workout in front of anyone
I don’t mind it I always end up reading anyway
You never go anywhere without ten books
Best to be prepared
It’s impossible to write before working out it’s like breathing without blood flow
To lift weights gets you going then
No it’s like a physical purge
With kettle bells
Sometimes
Noncom
The you of which you speak
Gleans yous in the yousland
There are so many
Mouse hair sweaters
On cough owl chairs
Vaultchested, cantalouped
The gnashmash reconfigures
New word comes next
Getting larger as it goes away
To remain always the same size
If you hunger for your hungers
Baby bird, will you take worms from any worm giver
If the worms themselves approach
Will you pluck or wait for the gift
Baroque specific tooth sayer
Lines shake out your sorrows
Tremors tremulously tremble
OR or OR
Which have you chosen
Which will you choose

