Weed with Willie is halfway done; the townies sing.
And I’m in the best dive bar in the city, reading Fady
who says “It’s not easy as it used to be / to be alone
with the earth.” The exhaustion of speaking truth
to power when power aims to flatten our throats.
We quiet under Instagram feeds giving self-tanners, rare
beauties in balcony dresses made by unknown hands.
I’m no longer attached to any of life’s trifectas. The multitudes
compound and kill our abstract memories: of digging
fingers into wet loam, of pulling the cap off an acorn,
discovering a wriggling maggot within. The lessons
that taught, numerous. Something impossibly alive can
thrive sealed away. That there is something inside me, or,
there is the wish of it. Little life, how you persist.
There is the wish of it, a little life: how we persist
alongside flashing bikini ads, phones face up, a seagull’s
squawk, the redheads in gis crossing the street. For nearly
two months, a boy has been missing, his face fading
on paper along the windows, his name scrawled in vigils
across many counties. Fady says there are more flowers not over graves
than over graves, and it’s a thought that turns rotten, like
a nail mark darkening a petal. I get smashed at the dive bar,
form a blood pack with the locals. Ghostbusters 2 plays and the plot,
pink psychoactive slime, doesn’t make sense without words. But sense
is a diktat, an oil derrick churning the earth into pebbles, my loneliness
into pebbles. Parking lots over land, so the child can’t dig, so the worm
dries into a snipped fingernail in its seal. Our secrets must lie to us.
Weed with Willie is halfway done. The townies are singing.