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NELLY

They drive you home

They unlock the door

They refer to people by first and last name

They press you for what you will give them

Give into them

They remove shoes

They walk with an umbrella but you are all wet

They are always reading

They strike matches

Pick up the rock if you have power

You do not have power

Kidnapped by narration

They are all in hell together

They wait at the mall gates

They will squeeze so hard until cancer rolls around and throws up everywhere

The needles go into a special glass

that will go into a special carton at the end of the day

Picked up by the ones who work there

When galloping with horses you are horses

They wear ribbed and satin ribbon

They forgot about cruelty and fell in love with the house

They slip into flannel 

They will not bend

You thought you were free that you weren’t one of them

They slip into robes so cold they are blue

They said what about posture 

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Celestial Rose of M

And when the songs mock-scoffed in mirth the sky
between so hole-y opened and we all
fell down pulled by some wild unseen screamers of
the implacable current

Consolation at ground zero? a soft
body snow on fur mem fires shimmer
from dark fontanelle pulses how to slip
into the dream of time as if into
a hairshirt or daddy's robe There is

no resistance only revolution
another April another fool in
an otherwise being another where
in attention by which I mean desire

I wanted to taste the ocean with my
whole body I wanted the celestial
rose of M to make it so how it tore
me to see how I was scattered in a
matter of speaking repulsive in my
bleeding waiting for the next out

But how the rose hummed how inside it was
a casket and inside the casket a
one-eyed mollusc a cycloptopus
exhaling me how it was unappeasable
I had to grow extra arms to hold it
how I have starved how in a certain doom
it spoke to me The weak worm hiding down
in its small cave wanted my eggs in a
boba tea It was a stretch a dropped
eye-dentity a weird request to
liquefy like that but I did oblige and it seemed
I was delicious
harmonies of galaxies diamond in
a sooth Tasting the see so long in the
yooth And there was no more tea or mollusc
or rude rood me

[for Feng Sun Chen, with a line from WBY's “To the Rose upon the Rood of Time”]

HAPPY CRUELEST MONTH! I’LL BE POSTING REVISIONS FOR AN APRIL 15 DEADLINE THEN NEW THINGS THEREAFTER. VERY HAPPY TO BE HERE WITH YOU ALL. XOXOX

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April 1

April 1

It’s hard to start a cold engine

even if the engine is my brain

my brain refuses reading

has refused me for the past two years

this morning I had to pay property taxes on my house

then I shouted BURN IT ALL DOWN!!! I meant every word 

It’s hard to start a cold engine

when you want to burn down the house

not my house his house

Burn it all down motherfuckers.

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blood studs/bluebells

The silent “h” in butterfly, the silent “h” in petrichor. How can I occupy

my hands when my hands are busy. Hot pink turkey vultures reassert

the commonplace. Taking off and putting on 

imaginary blood studs, the outer edges

become less toothy. Our body now as

stable as a songbird. No sign of

northern pike in the days

that followed

but a matted

ball at the

neck hunks 

or hanks deep

turkeys dark

whirlwinds

the silent “h”

in bluebells 

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Cruelest

(Yeah, I post this every April 1, yawn, but gimme a break I’m unprepared as usual … <3 )

April is a mood

A mope

It’s the moo

It’s the fucking moo

The cruelest of the most cruel months month

Stirring mixing clutching breeding bleeding branches also breeding and more breeding
always more branches clutching and breeding

Breeding tubers
And lilacs
And mopeds
Cruel mopeds
Fucking cruel mopeds neither living nor dead also snow and dead rain

How about drowning?
Yeah
How about some Earth feeding on the drowning?
Some sweaty faces in the stony places shouting and crying and we who were living
are now dying?

And the forgetful dead breeding us dry in ugly gray snow and Death undoing
with its unstoppered unguents your strange synthetic perfumes troubled confused and drowning in odours
fattening and flung into the dancery burning foaming forming more Earth and more roots and more lilacs
and dead rain

Don’t forget the dead rain, did I mention dead rain?

Even though it’s better than the fucking snow and wind the cold brutal wind that made my eye makeup run
before I discovered waterproof mascara

All of us with our roots breeding keeping us up with dead feelings and life stirring the withered stumps and canals and gashouses and whores morons and idiots a welcome indifference to whining mandolins and beneficent spiders fucking the lean solicitors and everything fucking the life out of everything so just fuckest me the fuck out hurry up please its time

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Rexies

Like an unmade bed
The galaxy is full
Stuffed, extinct, noise
My biceps, for instance,
Contain tiny zebras
Incorrigibly grazing
On yellow shirt years
The farm you see
Vegetable instructions
Intuit grapes, worms
Between teeth they pop
Protein language
A symbol on strike
Doesn’t it deserve a salary
Labor of being alongside
Like the corsage in a lapel
What an unusual vase
Wearing the indoor binoculars
Nightgear at noon
Clockle tickle tockle
The zoozoo death marches
On the Death of March
In Death-on-March
Two fortnites or so pass
Wax and wanty
Old thresh
What do you want?
The contraries
To soothe canaries

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Even going 80 I recognized she was

grabbing all the eye-catching (white orchids?) swirling tire-level high
before they were shredded by the passing traffic’s wake. Her arm-neck-
head-hands snatching (onion skin cups?) like emus with a flaxen rind
and poor co-ordination but the (spiderwebby mouthwash lids?)
blurpled through her mitts like mercury (Herculese). The surrounding
highway, unfettered by car parts and skid marks, showned she hadn’t
slown down and jumped out when she saw the tiny (paper pill cups?)
twisting. So she must’ve scrambled up the fill slope fill slope fill slope…
Woof! In what shoes? Those puffy soled ones? Naw. Barefoot? Give
that kid an (ankle monitor) for Surprisingly Useless Athleticism,
which must make me the soon-to-be Old Woman Pulled Over
with a Popped Trunk Filling with (thumb skirts?).
Hazards tocking like a heart.

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The Bad Teeth


Out the window I see some worn-out pigeons fighting for scraps of food waste. Again, I’m at the dentist. My chair goes horizontal. Whirring electricity. Commence scraping. Then screeching. It’s like a demon symphony in my mouth. Taste of iron and saliva. My chair returns to upright position. I rinse my mouth four times to rid the blood. Dental hygienist says some of my teeth are in bad shape; gums need serious attention.  If I agree to work hard, she can fix it. After they take my money, I head straight to the taco stand. My teeth are killing me. Two bites into the taco and I have abandoned all ideas of eating. I run the words over and over in my mind. She can fix it. I’m no different than anyone else. Desperate to be saved. Maybe it was just a lie, but she said it so sincerely. Taste of blood at the back of my mouth; I walk home whistling my favorite song. 

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April is on the way

The NaPoWriMo website banner for 2026, featuring three pink chickens and the phrase “we’ve got lots to talk about.”

Bloof invites our poets and a few special guests to fling drafts at this blog every day for a month, in celebration of a little thing known as NaPoWriMo. What’s that?

NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April.

This website is owned and operated by Maureen Thorson, a poet then living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project.

Visit the NaPoWriMo.net website to list your site, read the daily prompts, and find other participants.

Stay tuned for a list of our April players!

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NaPoWriMo is in full swing at the Bloof blog

A multicolored graphic of abstract leaves with large white text that says April Is a Mess. Smaller light green text below that says #NaPoWriMo daily drafts at bloofbooks.com/blog.

I just did a quick count. As of this moment, day 8, there are 89 very fresh drafts posted!

Some may disappear as we go, so catch them while you can.

Click a poet’s name to see their drafts collected:

Natalie Eilbert
Irene Vázquez
JJ Rowan
Elisabeth Workman
Steven Karl
Jenn Marie Nunes, translating Yen Ai-lin
Rebecca Loudon
Nicole Steinberg
Katie Jean Shinkle
K. Lorraine Graham
Reagan Louise Wilson
Farrah Field
Jared White
Sharon Mesmer
Peter Davis
Danielle Pafunda
Becca Klaver
Shanna Compton

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April is here? April is here!

And we’ll be digging in mud-season style here on the Bloof blog, dropping some poem bulbs into the muck. That’s as far as I’m willing to stretch that metaphor. The point is, it’s NaPoWriMo time.

What is NaPoWriMo? It’s an unofficial, noncommercial, sans-sponsorship, egalitarian, world-wide (that’s GloPoWriMo to you, bub) celebration of poetry that induces a 30-day fever of daily drafts.

NaPoWriMo started 21 years ago when Maureen Thorson gave herself the challenge to write a poem a day on her blog and jokingly called it “national” even though it was just her, after NaNoWriMo, the novel-writing month (and now nonprofit org) that has been held every November since 1999. Shanna and a few others joined her on their own blogs the following year, and well, then it was a whole thing somehow.

You can read more about it at the NaPoWriMo.net site, where Maureen also very generously offers (optional) daily prompts, podcasts, feature sites, and other resources. (Pssst, we’ve got a new book of essays by Maureen, available here.)

Bloof poets are invited to post with abandon here all month. It’s generally a bit of a mess and a ton of fun to follow along.

APRIL ASSEMBLAGE:

Peter Davis
Natalie Eilbert
K. Lorraine Graham
Steven Karl
Kirsten Kaschock
Becca Klaver
Rebecca Loudon
Sharon Mesmer
Danielle Pafunda
JJ Rowan
Katie Jean Shinkle
Nicole Steinberg
Irene Vázquez
Reagan Louise Wilson
Elisabeth Workman
Shanna Compton

Posted on 10 Comments

1: Sample Post, tips for formatting

A black and white photo of Joyce Mansour, holding some glittery beaded decorations on sticks, and surrounded by more of same.
Joyce Mansour

Sample April post. This is my text. You can write
directly into the post, or copy/paste from elsewhere
(but weird things sometimes happen in the transition from MSWord).

Experiment! and let me know if you need help.

Single spacing between lines is shift + return.
Double spacing between lines return only.

If you want to use          variable spacing
or
   stagger
          your
              lines
use the Preformatted block option
(It will look gray in the editor but
        like this! when published!
The Verse paragraph setting
(shown here)
also lets you
manipulate spacing       as       much       as you like
and keeps all the lines in one box
instead of w
            e
             i
              r
               d
                l
                 y making each hard return into
a new spaced paragraph

Feel free to add media (Alt Text encouraged!)

Tags can be added by clicking the gear in the upper right
(That’s a bit different since April 2020)

—Shanna
PS: I expire my posts the day after they appear

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April is coming. So are the poems.

The NaPoWriMo graphic for this year is a black and white photo of a rock wall with a rainbow eye painted on it. It says NaPoWriMo at the top in black type, and at the bottom in white says (20 years of looking out for poetry).

What is #NaPoWriMo, you wonder? It’s an unofficial, unaffiliated poetry game played annually by poets all over the world (#GloPoWriMo). It grew, sort of accidentally, out of a personal challenge Maureen Thorson set for herself one April, many moons ago in the poetry-blog days of yore. I joined her the following year, and others did too, and soon it became an annual, organic free-for-all, a lively everybody-is-invited event. 

Maureen’s idea has proven so popular, people have assumed it’s hosted by some Official Org or Institution, but nope. It’s entirely noncommercial and unsponsored. She’s created a site—napowrimo.net—and accompanying Twitter account to share daily prompts and featured participants every day in April, which is really nice of her. 

Bloof always hosts a handful of our authors on our blog, and this April will be no exception. Wanna play? You can join in on your own site or social media account. See napowrimo.net for the details.

PS: This is the 20th year!

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AWP 2023: Where to find Bloof poets

Bloof, the press, will not be at AWP. But Bloof, the poets, will be! And you can still grab some bookfair deals online.

VIRTUAL BOOKFAIR at bloofbooks.com
March 7–13. All paperbacks in bundle deals: 2 for $25, 3 or more for $10 each.
+ Free shipping on all orders over $25 (US only).
This virtual bookfair is for everyone, whether or not you’re attending the conference.

Thursday, March 9

DANIELLE PAFUNDA
Family Trees in the Enchanted Forest: Fairy Tales & Intergenerational Trauma
12:10 p.m. Room 427

KATIE JEAN SHINKLE
Two or More Become One: Writing in Collaboration Across Genre
3:20 p.m. Room 337

KATIE JEAN SHINKLE
6:00 p.m. Slip In Beltown Gallery
2301 1st Street
Orchestrate Your Whole Fucking Life! reading

IRENE VÁZQUEZ
Muzzle Magazine reading
7:00 p.m. Loving Room
1400 20th Ave

Friday, March 10

IRENE VÁZQUEZ
10:00 a.m. Bookfair signing
Take Me to the Water chapbooks + broadsides of Glory from Above
Riot in Your Throat table (T1522)

KATIE JEAN SHINKLE
2:00 p.m. Museum of Museums
900 Boylston Ave
University of Louisiana Lafayette and Sam Houston University Graduate Student Reading

DANIELLE PAFUNDA, KATIE JEAN SHINKLE
7:30 p.m. Alley Mic
1922 Post Alley
Apogee, Diagram, March Fadness, Texas Review, TRP reading

Saturday, March 11

A pastel radial gradient background with white and lavender text giving reading details and readers’ names:

Extravaganza, an offsite reading.

Saturday, March 11, 3:30–5:00 p.m. at the Crescent Lounge, 1413 E. Olive Way, Seattle.

READERS
Ginger Ko
Irene Vázquez
Katie Jean Shinkle
Natalie Eilbert
Danielle Pafunda
Min Kang
Jessica Rae Bergamino
Jackson Bliss
Abby Hagler
Megan Kaminski
Nilufar Karimi
Sarah Minor
Olivia Muenz
JD Pluecker
Claire Marie Stancek
Dennis James Sweeney
+ karaoke to follow!
Event graphic for Essay Press, Noemi Press + Bloof Books Extravaganza

KATIE JEAN SHINKLE, GINGER KO
1:45 p.m. Room 437
#FeelsBad: Writing Discomfort and Pessimism in Genre

GINGER KO, IRENE VÁZQUEZ, DANIELLE PAFUNDA, KATIE JEAN SHINKLE, NATALIE EILBERT
Essay Press, Noemi Press & Bloof Books Extravaganza reading
(see graphic above for the full list of readers!)
3:30 p.m. Crescent Lounge
1413 E. Olive Way

NATALIE EILBERT
6:00 p.m. Elliot Bay Book Company
1521 10th Ave.
Copper Canyon 50th Anniversary Celebration

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ON DREAMS by Maureen Thorson: Now available for preorder

22% off through March!

After being diagnosed, or misdiagnosed, with a rare, “invisible” eye condition that causes blind spots, Maureen Thorson set out to write a self-portrait in a broken mirror: a “mirror of my suffering,” wry and poignant, fragmented and necessarily incomplete. On Dreams is allusive, searching, and self-arguing, a lyric meditation on reality, truth, illusion—the warped reality of the mirror image and everything we “see”—and the illusion, “the dream,” of control. 

—Elisa Gabbert

After a pandemic delay and the intervening release of another book by Maureen last year (from our friends at Veliz), we’re finally ready to spring this fascinating book on you, dear readers!

On Dreams is as much a personal exploration on reality and illness as it is a richly documented commonplace book—the notes on the text are integral to the way the essays move, crisscrossed with rabbit holes and byways, with citations ranging from Aristotle to tweets. As Kwoya Fagin Maples puts it: “This work won’t allow itself to be pinned, even by its author. It follows its own north.” We can’t wait to get it into your hands.

Read “Confessions of a Pareidoliac,” an essay from On Dreams, in On the Seawall.

Preordered copies begin shipping in mid April, ahead of the official release in May. Read more about this fascinating collection.

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February Flash Sale! Nikki Wallschlaeger

From now till March 1, we’re offering both of Nikki’s Bloof books at a hearty discount—plus a limited edition art print!

CRAWLSPACE is “a series of sonnets that consciously disrupt their own formal limits, discovers the violence embedded in our most familiar structures: mortgages, meals, rooms, houses, family relationships, and language itself. Wallschlaeger’s poems feel timely, as the links between property ownership, alienated labor, and the history of black slavery in the United States (‘Greasy gangrene hamburger wrapper of a country,’ in her words) become clearer by the day. She deploys a new vocabulary for talking about the legacies of slavery and white supremacy as they manifest in daily life — a vocabulary that is as damning as it is lush, as rich with sound as it is bright with image.” —Iris Cushing, HYPERALLERGIC

I HATE TELLING YOU HOW YOU REALLY FEEL is a full-color hardcover version of Nikki’s groundbreaking meme-poem chapbook, first published by Bloof in our handmade series, which sold out almost instantly. This graphic chapbook features Julia, the 70s doll from Mattel based on Diahann Carroll, styled and photographed against colorful backdrops. “The writing in I Hate Telling You How I Really Feel is, by turns, thrillingly allusive and thrillingly frank. […] Wallschlaeger’s is a poetics of multiplication and plurality.” —Toby Altman, ENTROPY

I DO HAVE AN ABNORMAL AMOUNT OF DREAMS: A limited-edition print featuring one of the graphic chap memes! 12 x 16 inches in brilliant color on lightly textured 100% cotton fine art paper. A rare opportunity—available till March 1 only. Once they’re gone, they’re gone! FREE shipping on orders including this print. Enter FREESHIP at checkout to receive the discount. (Shipping on these is direct from our printer, approximately 2 weeks from order date.)