Cold clone
You were invited
To the silver age
You fretted
On the margins you
Courted overhearing
Heard too much
And let your facial expression
Become your face
A sort of story
Storytellers tell
In between stories
They look to replicas
To remind themselves
Of lost originals
Like mountains of porcelain
After an age of winds
I thought your myth
Was only a thought
Like a hot doorknob
Opening into dark fires
Cracking liminals
To hear something noises
In anymore ears
Cold clone
Going gone
You told nothing
Where your mouth had been
Your mouth still was
Category: Uncategorized
safe grazes
what swollen sound
scape displaces
your best work
for good? body
double bird
too close to
the ground wet hollow blossoms
better with
some rage bait
I have dropped
into a more or less
delightful splice
o the fucking
exclamation of safe
grazes wet star guide
says bangled branches
have a tendency
to overabsorb
I have slipped
skin again
I am in my own
fashion a teeth
gnasher observing
this pickled
policy of sponge
and release
violets really // piling up
high vis glitter and rube
goldberg rain
I’ll admit to sometimes
being hot for the wrong
orchestra silent confirmation
of broom forkmoss silent
confirmation of marsh
marigold a killdeer
metamorphosizes to complain
over our lackluster
skillset the violets really
piling up meanwhile
the bark adopts
all my palms
for resonance this unregistered
vehicle recollects
cordyceps this
unregistered
vehicle reclaims gold
Eleanor, We Have Put These Difficulties Behind Us
Head fog Sometimes I get it How about you? So much coffee Coffee spilling from my eyes
Can’t remember What it feels like to feel alive Yogurt in a plain white bowl nuts honey
He always wore a tie it felt like a noose One way to be held He always wore nice shirts
Ironed Crisp His pants had stains or holes Fraying threads He stood in front of people
Sometimes you know Everyone’s mind is elsewhere That no one cares
You have to get on with it Fake it Like the title of that Blonde Redhead album
Maybe less angst Maybe just less of yourself Eleanor, does any of this make sense?
When you know You’ll regret that $1.50 slice When you realize
you’ve spent all day With food stuck between teeth When you shamelessly
smile at someone You shouldn’t have smiled at Shame Let’s talk shame
Once I got so mad I threw a pool ball at my sister Bad aim All these years
What if still gnaws The sudden outburst of violence When was the last time
You lost yourself to a fit of anger
Fits of dawn Pond frogs still at it Moonflowers along a rotting fence Dew soaking
toes of your sneakers But there was a time She loved him A time They both
Would say forever Synchrony Then Something else Minute hand lagging behind
Apathetic seconds Another day What is there to say?
Serving Cult
L says I could never be inducted
Into a cult because I’m too much
Of a troll—the kind of person
Who wears black at the beach
Who the fuck even has the time
When every day something must be done
With a package of chicken breasts
And a shitload of cognitive dissonance
Whoever could surrender
To their surroundings
When every haunted house
Demands a final girl? Too busy
Talking shit to sign the waiver
Too ossified to unfurl a limb
14
You could set a bone
with that look unlock
a stock room of dark
laughter
Cover the surface
in one value then another
without a plan at first Where
does your eye catch first
Underlying the tension taut wired
inherently in the night
Never lets down her hair
& rinses it glossy in a stream
The owls settling in the almost black
the nearly midnight the reflectionless
formless open mouth of space
shining there with a capsule on its tongue
TWO ASTON MARTINS ONE ROAD
Feathered hair is supposed to invoke labia
Everything on a woman’s face in effect designs from that below
A watch-scratched ride with your brother
and conservative contortion smirk glued in the rear view
Am I clear could I be more clear
Remember driving stick
cranking the windows down
saying I’m not having this debate with you
It looks like a dildo not a penis
Do you remember when we were young
We left the atmosphere in a swing set
We passed all our friends waiting for the bus
in a little bit of rain wearing jeans jackets
You don’t bother me because I’ve considered working for free
during this budget downfall
Never would I allow myself fifth gear
I would never drive reckless
I never meant to hit him I was trying to shoot the man
who shot my sister
Zendaya just found Jesus’s tomb but Fergie is “missing”
Zendaya just found Jesus’s tomb but Fergie is “missing,”
according to Middle Distance Drip State Connection,
the popular Popular Mechanics TV celebrity news show,
which operates as an extension of the celebrity website,
These Damn Rotten Kids — Always with the Problems!
I’m now watching Cher reviewing Sarah Jessica Parker’s
Adele’s Kingdom Hall Chicken Soup, a roman à clef
featuring hungry elders on boats, mysterious spores,
mandatory, structured public ministry, and a line of ants
of non-Earthly origin who drown after climbing the bowl,
told in second person from the point of view of the bowl.
“I wasn’t expecting the book to end with Zach Galifianakis,
son of a heating oil vendor, crashing a plane into Venus,”
says Cher, “but I love how the bowl can’t say his name.
Neither can I, honestly, but that’s because I’m just lazy.”
Me, I learned the importance of saying names correctly
early on, as a member of a meat counter underclass.
It was forbidden to mix red and green peppers, but okay
to tie a bandana around a side of beef and call it a boy.
So check your privilege, Cher. Go out and find Fergie.
[Dance on the green bed mid-morning] (revision)
Dance on the green bed mid-morning
Dance of the hunches and haunches and infinite hips and hunches
Dance on the back of the black horse galloping thru the so-called Safeway
Dance a disruption a felicific detachment an adoration brought forth from vatic slime
Dance till you have no body and are ready to surfeit
Dance during Dallas and after
Dance the earthy maps of magnetism and chance
And balance in the shimmer’s manifold androgyny
Dance of the glimmer fish
Dance in which I impregnate him
Dance of my integrity or power or poison
Masses
Drowrowrow
A ghost story
In ghost tongue
Touch ratio
Verso converter
For cryptogram eye
When bough bends
Woods break
Ecotonic
Bittersweet borders
Have I explained
How poems cheer
On roadsides
Collecting refuse
Under echo bridge
Imaginary histories
Are the only kind
Equal and opposite
Close your I’s
Je among jeux
Bring me
The bringing
Datum
Without lines
Make points
Numerous
Saplings of
Indeterminate
Wantlets
Wouldlings
Eleanor, We Have Put These Difficulties Behind Us
Birds chirping I feel like that doesn’t happen Oh wait They are always in that tree
How is it already Early evening Thin branches fat green leaves People below on the street
Demur laughter Photographer Someone in a wedding dress Staged laughter
Fading sun That light Magic hour some say
Growing up I had a best friend Always said When I get married He was the most girl-crazy
boy I’d ever known I never Thought about marriage My parents
Sure they laughed Some of the time They also argued Shouted and were always worried
About money Giving money away to the Kingdom Hall When they didn’t even have money
To give away like that Argued about Robin and me Always problems
With kids Marriage wasn’t something I aspired to My best friend would say When I get
married I’m going to have a house on a lake with boat Not sure if that ever happened
Truth was always there But finally he saw it I would never love God Like him
I had a different idea of worship He stopped talking to me I never had dreams
of owning houses or boats Said I’d be playing bass Be in a band Not that I could play bass
His mom used to make Spaghetti with butter for dinner Sprinkle parmesan cheese
from the container Sometimes I’d lie Say I could only come over After dinner
Not that my mother was Martha Stewart Or, anything Jared sends me a recipe
“Hillary Duff’s Cilantro Chicken Soup” He’ll write a novel Plotless Hungry characters Chicken soup
I’ll write a poem Fame Missing ingredients Life from the bowl’s perspective
Our laughter meets in the middle of an ocean People can be far away but not feel that far away
I planted seeds today to make up for yesterday’s excess
I planted seeds today to make up for yesterday’s excess, and just
as I’m about to write this poem Desmond wants to show me a Minecraft
parody of Peppa Pig. Then I discover a line of ants. Envy and mistrust
at work impede my sanity. My team is both under and over-staffed,
and I am overwhelmed, intermittently trying to hard and not trying
enough. The ants have discovered a piece of cheese. I do care what
my coworkers think, and I need a salary, there’s no denying it. The higher
the better. I don’t know the names of the yellow flowers and glare
at my boss without meaning to. I’m just trying to survive the astrology
of the week, month, year. What are you implying? That survival
isn’t a goal–but that’s what every holiday is about, every cosmology
is the story of someone or some group eking it out by not dying
year after year and then leaving some kind of archival evidence
that proves their existence. I’m having trouble not feeling bitter
this afternoon, the senseless emphasis of annual performance reviews
and self-evaluation. What is any good? I pick up the random litter
from our yard and wonder who thinks it’s ok to throw their McDonald’s
wrapper on my rosemary. I mean what does it mean to be good at
something? I am ok at gardening. My approach is to keep doing it
and slowly improve. I tried to write romance novels once, was not
good at it. I am a good enough parent, but I don’t know what kind of bird
is calling outside the kitchen window and I want to be admired for being
myself, which is ridiculous and not ridiculous. I have tried being myself
at work and also hiding as much of myself as possible. Neither is effective.
The blurred non-divide between life and work and the freeing realization
that everything is everything. I used to live in a house with several mantelshelves
and so several fireplaces, all decorated with pictures, mostly. Damnation
is a kind of distinction, I think, drinking my coffee as coffee-in-itself,
or imagining I do. Coco leans into me, sees her name and says, ‘What
are you writing?” And I say, “If you’re going to be all up in my business
you’ll definitely be in the poem.” She touches my earrings, my cheek,
makes baby babble. Desmond yells about not having screentime,
then informs me that I’m distracting myself from writing, then tells
me my hair looks crazy, then laughs and says, “Birds are so funny,
they flock. Flocking birds!” At this point I’m wondering about the parallels
between writing a poem and trying to leave the house on a crummy
Tuesday morning. “Flocking birds these days,” says Desmond, then runs
into the living room while I grouse about feeling hot and try to have a thought.
Google Gemini says I should say, “I am trying to learn how to be in the world
without being of it,” but that’s not true. We’re all of this world while being
in it. I’m not on it, though, not this morning, awaiting my annual performance
review, explaining that a lowercase d and an uppercase do go in opposite
directions, wondering how to quantify the way I’ve spent most of my time
for the approximate past twelve months, wondering what the requirements
exceeding expectations are. “Pretend I’m a grumpy monkey,” Desmond says,
and that’s what I am, a grumpy, slightly panicked creature who can’t shake it off,
who gets excited when the back brick steps get power washed, tells the children
to come see, thinks about the relationship between power washing and heartache.
desert rose revision
The desert rose inside the summer house
is nothing personal just as I am nothing
personal day and the snow in my heart
after significant torpor is all at once per se
though it is now confused by joy
Inside the rose is the vault of night
the milk of stars and the milk of stones
a row of glasses on a long table
Filled clouds lunge across the shifting dunes
The rapture
of their flux
eviscerates
our fucked attachment
to fix
13
Seven Dollars & Eighty-Eight Cents
It’s raining
gray & dismal
numbers, the field
quivering in the runnels
along the windowpanes
It’s April near tax day & raining
numbers detached from time,
a list of last year & the trips
I don’t remember taking,
displacement being general
Eight days, eleven days,
twenty two days, forty seven
days, no journey under a couple
thousand in airfare & nothing
that moved the needle
from your arm, knit
a frayed bone, healed a worn
pattern, softened any referral of pain
or relieved the skipping gouge
in our circular groove of history
Yeah, they’re playing our song, again
& we found ourselves swaying
& shoved by circumstance
& terminology into a corner
until we coalesced
after decades of trying
into a flint-chipped
point of
no
Can I Sing a Song That’s Kind of Loud and New?
A karaoke pick often depends
On how the date is going
Choose your fighter: “Bizarre
Love Triangle” or “Shoop”
“Gimme More” or “Criminal”
Not enough Coors Light in the world
To drown the counterproductive doctrines
Adopted by inexplicably lonely girls
But friends, the rumors are true:
Confidence can be relearned
When you excise men to the point
They’re novel & invest in singing lessons
From a maestro in a magenta car seat
One unhinged note at a time
Eleanor, We Have Put These Difficulties Behind Us
In Eugene At the organic supermarket Only job open was the meat counter
Next day they interview My roommate for a cashier position Store opens Amanda
All other cashiers attractive college girls I see what’s going on here I didn’t
even eat meat I needed a job I’d have to put sausage stuff in the intestine casings
Sometimes I’d do a bad job Too much meat The casing would rip Start over At home
even after shower The smell of dead flesh on fingers Even after shower
Elizabeth smelled like apples carrots Smelled like fruit From the juicing plant
Genesis juice A Eugene institution Grateful Dead on the speakers Elizabeth
in her knee-high rubbers I quit the meat counter By that time I
was mostly Making marinades gallon buckets of marinades John didn’t want me to leave
After we locked the doors John, Justin and I Would drink beers
Waste away into the small hours After I quit Amanda let me use Her employee discount
Sometimes Justin let me use his employee discount Years later Justin and Amanda
would date This was Portland We all lived together Justin was in a band Justin’s friend
would stay with us A dealer from Alaska Trashcans filled with mushrooms weed
Sheets of acid Sometimes opium We had a roommate meeting Felt uncomfortable
Said Fuck it To be young To take so many risks Feeling reckless
He got caught Felt bad about that We’d all gone our separate ways A forgotten time
I’m losing the thread in Eugene I left the meat counter Worked at record store
No one really used my employee discount I used the hell out of it I was always broke
books beer records CDs too A gnat annoying me Right between the eyes Hitomi
in the kitchen pork sizzing in the pan Emma rubbing her stomach
Exaggerated motions True hunger When’s the last time you had animal flesh In your mouth
Maybe 18 maybe 20 Does fish count An unwritten novel on Unfortunate compromises
