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The metal party

Cold clone
You were invited
To the silver age
You fretted
On the margins you
Courted overhearing
Heard too much
And let your facial expression
Become your face
A sort of story
Storytellers tell
In between stories
They look to replicas
To remind themselves
Of lost originals
Like mountains of porcelain
After an age of winds
I thought your myth
Was only a thought
Like a hot doorknob
Opening into dark fires
Cracking liminals
To hear something noises
In anymore ears
Cold clone
Going gone
You told nothing
Where your mouth had been
Your mouth still was

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safe grazes

what swollen sound

scape displaces 

your best work 

for good? body

double bird 

too close to 

the ground       wet hollow blossoms

better with 

some rage bait

I have dropped

into a more or less

delightful splice 

o the fucking

exclamation of safe

grazes              wet star guide 

says bangled branches

have a tendency

to overabsorb

I have slipped 

skin again 

I am in my own 

fashion a teeth 

gnasher observing 

this pickled 

policy    of sponge

and release 

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violets really // piling up

high vis glitter and rube

goldberg rain

I’ll admit to sometimes

being hot for the wrong

orchestra      silent confirmation

of broom forkmoss silent

confirmation of marsh

marigold      a killdeer

metamorphosizes to complain 

over our lackluster

skillset     the violets really

piling up  meanwhile 

the bark adopts

all my palms

for resonance   this unregistered

vehicle recollects 

cordyceps this 

unregistered 

vehicle reclaims gold

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Eleanor, We Have Put These Difficulties Behind Us

Head fog   Sometimes I get it    How about you?    So much coffee     Coffee spilling from my eyes

Can’t remember   What it feels like     to feel   alive   Yogurt in a plain white bowl   nuts   honey

He always wore a tie    it felt like a noose     One way to be held   He always wore nice shirts

Ironed Crisp   His pants had stains    or holes   Fraying threads   He stood in front of people

Sometimes you know    Everyone’s mind   is elsewhere   That no one cares  

You have to get on with it         Fake it   Like the title of that Blonde Redhead album   

Maybe less angst    Maybe just less of yourself    Eleanor, does any of this make sense?  

When you know    You’ll regret    that $1.50 slice    When you realize      

you’ve spent all day      With food stuck    between teeth     When you shamelessly

smile at someone You shouldn’t       have smiled at      Shame    Let’s talk shame   

Once I got so mad   I threw a pool ball   at my sister       Bad aim       All these years 

What if still gnaws   The sudden outburst       of violence       When was the last time   

You lost yourself  to   a fit of anger

Fits of dawn  Pond frogs still at it   Moonflowers along a rotting fence    Dew soaking

toes of your sneakers   But there was a time     She loved him     A time    They both

Would say forever   Synchrony   Then      Something else     Minute hand lagging behind 

Apathetic seconds    Another day    What is there to say?    

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Serving Cult

L says I could never be inducted
Into a cult because I’m too much

Of a troll—the kind of person
Who wears black at the beach

Who the fuck even has the time
When every day something must be done

With a package of chicken breasts
And a shitload of cognitive dissonance

Whoever could surrender
To their surroundings

When every haunted house
Demands a final girl? Too busy

Talking shit to sign the waiver
Too ossified to unfurl a limb

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14

You could set a bone
with that look unlock
a stock room of dark
laughter

Cover the surface
in one value then another
without a plan at first Where
does your eye catch first

Underlying the tension taut wired
inherently in the night
Never lets down her hair
& rinses it glossy in a stream

The owls settling in the almost black
the nearly midnight the reflectionless
formless open mouth of space
shining there with a capsule on its tongue
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TWO ASTON MARTINS ONE ROAD

Feathered hair is supposed to invoke labia

Everything on a woman’s face in effect designs from that below

A watch-scratched ride with your brother 

and conservative contortion smirk glued in the rear view

Am I clear could I be more clear

Remember driving stick

cranking the windows down

saying I’m not having this debate with you

It looks like a dildo not a penis

Do you remember when we were young

We left the atmosphere in a swing set

We passed all our friends waiting for the bus

in a little bit of rain wearing jeans jackets

You don’t bother me because I’ve considered working for free

during this budget downfall

Never would I allow myself fifth gear

I would never drive reckless

I never meant to hit him I was trying to shoot the man

who shot my sister

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Zendaya just found Jesus’s tomb but Fergie is “missing”

Zendaya just found Jesus’s tomb but Fergie is “missing,”
according to Middle Distance Drip State Connection,
the popular Popular Mechanics TV celebrity news show,
which operates as an extension of the celebrity website,
These Damn Rotten Kids — Always with the Problems!
I’m now watching Cher reviewing Sarah Jessica Parker’s
Adele’s Kingdom Hall Chicken Soup, a roman à clef
featuring hungry elders on boats, mysterious spores,
mandatory, structured public ministry, and a line of ants
of non-Earthly origin who drown after climbing the bowl,
told in second person from the point of view of the bowl.
“I wasn’t expecting the book to end with Zach Galifianakis,
 son of a heating oil vendor, crashing a plane into Venus,”
says Cher, “but I love how the bowl can’t say his name.
Neither can I, honestly, but that’s because I’m just lazy.”
Me, I learned the importance of saying names correctly
early on, as a member of a meat counter underclass.
It was forbidden to mix red and green peppers, but okay
to tie a bandana around a side of beef and call it a boy.
So check your privilege, Cher. Go out and find Fergie.

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[Dance on the green bed mid-morning] (revision)


Dance on the green bed mid-morning
Dance of the hunches and haunches and infinite hips and hunches
Dance on the back of the black horse galloping thru the so-called Safeway
Dance a disruption a felicific detachment an adoration brought forth from vatic slime
Dance till you have no body and are ready to surfeit
Dance during Dallas and after
Dance the earthy maps of magnetism and chance
And balance in the shimmer’s manifold androgyny
Dance of the glimmer fish
Dance in which I impregnate him
Dance of my integrity or power or poison
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Masses

Drowrowrow
A ghost story

In ghost tongue
Touch ratio

Verso converter
For cryptogram eye

When bough bends
Woods break

Ecotonic
Bittersweet borders

Have I explained
How poems cheer

On roadsides
Collecting refuse

Under echo bridge
Imaginary histories

Are the only kind
Equal and opposite

Close your I’s
Je among jeux

Bring me
The bringing

Datum
Without lines

Make points
Numerous

Saplings of
Indeterminate

Wantlets
Wouldlings

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Eleanor, We Have Put These Difficulties Behind Us

Birds chirping     I feel like that doesn’t happen   Oh wait      They are always      in that tree

How is it already       Early evening       Thin branches  fat green leaves    People below on the street

Demur laughter    Photographer     Someone in a wedding dress   Staged laughter

Fading sun  That light    Magic hour some say

Growing up  I had a best friend      Always said      When I get married     He was the most girl-crazy 

boy I’d ever known      I never       Thought about       marriage          My parents 

Sure they laughed     Some of the time      They also argued   Shouted and were always  worried

About money     Giving money     away to the Kingdom Hall     When they didn’t even have money 

To give away like that    Argued about       Robin and me    Always     problems

With kids      Marriage wasn’t something        I aspired to     My best friend would say   When I get

married I’m going to      have a house on a lake      with boat    Not sure     if that ever happened 

Truth was always there       But finally he saw it      I would never      love God    Like him   

I had a different idea      of worship     He stopped        talking to me   I never had dreams

of owning houses   or boats   Said I’d  be playing bass    Be in a band     Not that I could play bass     

His mom used to make     Spaghetti with butter     for dinner   Sprinkle parmesan cheese 

from        the container     Sometimes I’d lie     Say I could only come over    After dinner   

Not that my mother      was Martha Stewart      Or, anything    Jared sends      me a recipe 

“Hillary Duff’s Cilantro Chicken Soup”     He’ll write a novel   Plotless    Hungry characters  Chicken soup

I’ll write a poem   Fame    Missing ingredients    Life from the bowl’s perspective

Our laughter     meets in the middle of an ocean People can be far away    but not feel that far away

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I planted seeds today to make up for yesterday’s excess

I planted seeds today to make up for yesterday’s excess, and just

as I’m about to write this poem Desmond wants to show me a Minecraft

parody of Peppa Pig. Then I discover a line of ants. Envy and mistrust

at work impede my sanity. My team is both under and over-staffed,

and I am overwhelmed, intermittently trying to hard and not trying

enough. The ants have discovered a piece of cheese. I do care what 

my coworkers think, and I need a salary, there’s no denying it. The higher

the better. I don’t know the names of the yellow flowers and glare

at my boss without meaning to. I’m just trying to survive the astrology

of the week, month, year. What are you implying? That survival 

isn’t a goal–but that’s what every holiday is about, every cosmology

is the story of someone or some group eking it out by not dying

year after year and then leaving some kind of archival evidence

that proves their existence. I’m having trouble not feeling bitter 

this afternoon, the senseless emphasis of annual performance reviews

and self-evaluation. What is any good? I pick up the random litter

from our yard and wonder who thinks it’s ok to throw their McDonald’s

wrapper on my rosemary. I mean what does it mean to be good at

something? I am ok at gardening. My approach is to keep doing it

and slowly improve. I tried to write romance novels once, was not

good at it. I am a good enough parent, but I don’t know what kind of bird

is calling outside the kitchen window and I want to be admired for being

myself, which is ridiculous and not ridiculous. I have tried being myself

at work and also hiding as much of myself as possible. Neither is effective.

The blurred non-divide between life and work and the freeing realization

that everything is everything. I used to live in a house with several mantelshelves

and so several fireplaces, all decorated with pictures, mostly. Damnation

is a kind of distinction, I think, drinking my coffee as coffee-in-itself,

or imagining I do. Coco leans into me, sees her name and says, ‘What

are you writing?” And I say, “If you’re going to be all up in my business

you’ll definitely be in the poem.” She touches my earrings, my cheek,

makes baby babble. Desmond yells about not having screentime,

then informs me that I’m distracting myself from writing, then tells

me my hair looks crazy, then laughs and says, “Birds are so funny,

they flock. Flocking birds!” At this point I’m wondering about the parallels

between writing a poem and trying to leave the house on a crummy

Tuesday morning. “Flocking birds these days,” says Desmond, then runs 

into the living room while I grouse about feeling hot and try to have a thought.

Google Gemini says I should say, “I am trying to learn how to be in the world

without being of it,” but that’s not true. We’re all of this world while being 

in it. I’m not on it, though, not this morning, awaiting my annual performance

review, explaining that a lowercase d and an uppercase do go in opposite 

directions, wondering how to quantify the way I’ve spent most of my time

for the approximate past twelve months, wondering what the requirements

exceeding expectations are. “Pretend I’m a grumpy monkey,” Desmond says,

and that’s what I am, a grumpy, slightly panicked creature who can’t shake it off, 

who gets excited when the back brick steps get power washed, tells the children 

to come see, thinks about the relationship between power washing and heartache.

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desert rose revision


The desert rose inside the summer house
is nothing personal just as I am nothing
personal day and the snow in my heart
after significant torpor is all at once per se

though it is now confused by joy

Inside the rose is the vault of night
the milk of stars and the milk of stones
a row of glasses on a long table

Filled clouds lunge across the shifting dunes

The rapture
of their flux
eviscerates
our fucked attachment
to fix
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13

Seven Dollars & Eighty-Eight Cents

It’s raining
gray & dismal
numbers, the field
quivering in the runnels
along the windowpanes

It’s April near tax day & raining
numbers detached from time,
a list of last year & the trips
I don’t remember taking,
displacement being general

Eight days, eleven days,
twenty two days, forty seven
days, no journey under a couple
thousand in airfare & nothing
that moved the needle

from your arm, knit
a frayed bone, healed a worn
pattern, softened any referral of pain
or relieved the skipping gouge
in our circular groove of history

Yeah, they’re playing our song, again

& we found ourselves swaying
& shoved by circumstance
& terminology into a corner
until we coalesced
after decades of trying

into a flint-chipped
point of
no

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Can I Sing a Song That’s Kind of Loud and New?

A karaoke pick often depends
On how the date is going

Choose your fighter: “Bizarre
Love Triangle” or “Shoop”

“Gimme More” or “Criminal”
Not enough Coors Light in the world

To drown the counterproductive doctrines
Adopted by inexplicably lonely girls

But friends, the rumors are true:
Confidence can be relearned

When you excise men to the point
They’re novel & invest in singing lessons

From a maestro in a magenta car seat
One unhinged note at a time

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Eleanor, We Have Put These Difficulties Behind Us

In Eugene    At the organic supermarket     Only job open       was the meat counter

Next day they interview      My roommate    for a cashier position       Store opens     Amanda

All other cashiers    attractive college girls      I see       what’s going on here    I didn’t 

even eat meat    I needed       a job   I’d have to       put sausage stuff      in the intestine casings 

Sometimes       I’d do         a bad job     Too much meat     The casing would rip    Start over    At home 

even after       shower        The smell of        dead flesh       on fingers       Even       after shower    

Elizabeth smelled like apples carrots       Smelled like fruit        From the juicing plant

Genesis juice          A Eugene institution      Grateful Dead on      the speakers    Elizabeth 

in her       knee-high rubbers       I quit       the meat counter        By that time I 

was mostly     Making marinades    gallon buckets of marinades    John didn’t want      me to leave

After we locked the doors      John, Justin and I        Would drink beers

Waste away        into the small hours      After I quit   Amanda let me use     Her employee discount   

Sometimes Justin let me       use his employee discount      Years later     Justin and Amanda 

would date       This was Portland         We all lived together       Justin was in a band    Justin’s friend

would stay with us      A dealer from Alaska       Trashcans filled with      mushrooms   weed   

Sheets of acid           Sometimes opium   We had a roommate meeting    Felt  uncomfortable  

Said Fuck it        To be young       To take so many risks     Feeling reckless

He got caught       Felt     bad about that    We’d all gone our separate ways       A forgotten time

I’m losing     the thread   in Eugene I left     the meat counter   Worked at record store 

No one really      used my employee discount   I used the hell out of it    I was always broke 

books beer records CDs too      A gnat annoying me   Right between the eyes   Hitomi 

in the kitchen   pork sizzing      in the pan   Emma rubbing       her stomach   

Exaggerated motions    True hunger      When’s the last time      you had animal flesh    In your mouth

Maybe 18 maybe 20     Does fish count        An unwritten novel on     Unfortunate compromises