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Arrival

I’ve eaten too many cinnamon cream cookies in an effort to feel grounded

and want to bring the rest to encamped students at George Washington 

University, my alma mater now threatening student suspension. I am astounded

by the boringness of administrators–not astounded, but aggrieved.  Emotions 

emerge: If I feel good at all today it is because of these students and my sister

at UT Austin facing mounted police and all the movement work my sister

and comrades have done at Rutgers that’s gotten zero media attention. Why whisper

when you can chant. The not-yet-migraine neck pain, everyday traducement.

Not concerned about students, protestors, Palestinians or anyone being peaceful.

Charmed and unconcerned, I prepare a list of technical requirements for a thing

at work. In serious WTF news I interviewed for a position with a base salary of 200k.

Do they know who I am, minor poet and basket weaver wearing an old bra, no

socks.  When am I most disoriented? Is it falling asleep or waking up? Disorientation

is all I’ve ever wanted, disorientation and love and wine, a little making out

on the beach before a nap. This will not scandalize you nearly enough, the absurd

duplication of so many absurd tasks resulting in so many absurd work products.

Without cessation, I project facial expressions, offer various hand gestures,

express frustration with self and supervisor and self as supervisor. Antispasmodic

digital products could be a thing, I think, as I add funds to Desmond and Coco’s

Scholastic book fair e-wallets. What I want to call incredible panic is entirely

credible, completely the norm. What should not be the norm are mounted police

at anti-genocide protests in the United States.  Other norms to rethink: my inability

to function without fluoxetine. There is no benign baseline to account for my quarterly

increase in panic, and those capsules are all out hard to swallow.  By Friday afternoon 

I lack civility or social filters. “I have left the office,” I Slack my boss, “would you like me

to return and do x, y, z?” No response. Three nights ago the full moon had me swoony

with longing to sing of impending doom in a mournful, unearthly voice: it’s too late.

Nothing’s on the rise, it’s here, it’s here, so I sing like a banshee about the means of

thwarting reactionary violence as if I know what business as usual is not, as if I am

not distrait and taciturn with premonition. Desmond climbs three-quarters of the way

up a tree and says, “these leaves are my home and will protect me.” Yes, child. Stay

in the tree. We don’t have to go home and work, or make dinner, or sleep to be

productive tomorrow, or double-check that the datagrams have sufficiently passed 

across the network to whatever degree that matters. I check the plants. The fig tree leafs

around and out, the aphids eat some honeysuckle and I overprune it. As biased as

an oblique slant athwart empire, which means these statistics run a sharp transverse 

across conventional presumptions. Can we arrive crossways? Can whatever arrives 

arrive crossways? Miles east in Ohio Brett reminds me that literal Nazi’s are protected

on campus under free speech laws. That’s how this is arriving, arrives, has arrived.

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Elegy for Tamara

four years
to the day
yesterday

so open
we all were such lilting

young lungs that tattered

guitar twangy strings
hunched over in constant

tuning how is it
that I can see you

cradled over acoustic
body going back & forth

hands up
& down
all along
fret board
a chord a series of notes curls unfolding in a sway of

afternoon light


certainly
your voice yet now
when I see an old photo


of you
there is
hush

as if replaying memory on mute


four years since
you died almost 30 years since we lived in

the same house

dogwoods in bloom
like we used to see in Jersey


the cherry blossoms
in a day or so
will be mostly
leaves

but today is
not Jersey
not Eugene just me


sun obscured by apartment buildings

but the light still floods,


with an open window
on a spring morning


setting your ghost free to breathe
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memories while rereading *case sensitive*

I gave Kate and Max a copy of my yearly mix, which was still a burned CD at that time, and Kate loved “Palmyra” the best, which is still one of my most favorite songs, tuned precisely to my particular sadness. For my 30th birthday they gave me a collection of 45s. The kind of friends where you gave them a gift and they gave you an even bigger gift back, even if you hardly knew them. But always something made or found, not shiny and new. On Brevoort Place I told Kate she could grab a wine glass from the shelf, and she took one down and held it out to me without a word. Inside lay a dead daddy long-legs in a bed of dust. I laughed and washed it in the sink right behind her. The kitchen was the hallway between the bedroom and the living room. It was never totally clear which room should be which, so we went back and forth, or I did. One day my friends came over and took apart and reassembled the bed in the other room. It was good not to have it in the room where I’d sat up on it and cried till I lost my voice. Even to myself I act like it’s a mystery, why I lost my voice when he left or I told him to leave, but the answer is no one’s ever cried so hard. That particular sadness.

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diary 22

[ w/ bright green large format dot grid & black ink ]

when does information become form?

when do you take information into your body?

when does your body have a decision to make?

what escapes translation?

what escapes the body?

what translates code to flow?

what information comes only in a dream?

what information comes only in the mail?

how does information become form?

how rapid is your transcription?

for example:
here is the tiny organ that codes their own tunes

for example:
it may be the crack that accompanies lightning
it may be the deep slide of skin against something unslick

for example:
the plan blooms on the inside

all sounds have a plan

(you do not have to believe me to know)

(if you have screamed into both a closed space and an open one, you know)

(if you have wept in public and in private, you also know)

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Lament

Home is not for idylls
Dialing wheels of the hour calendar
To chase the sunrise allocated for
Experiment
History of science
History of feelings (brain retorts)
History of histories
History of
Prediction (50% accurate)
History of lament (💯)
(♾️)
New jobs
Or old jobs with new titles
A blacksmith skilled in swordplay
A ___smith, fill in the _______
Really? Punctuation? In the morning?
Just do everything perfectly
And answer all the questions
Before they are asked
And under the green towel
As the char cools
No one will be satisfied
But the daffodils
The daffodils bloom
Holding their breath
No complaints on the table
Only surly lemmas
The thought
Encoded in the architecture
Touching your toes
To what?
First time I saw a broadside
On the stairs
Memento of an imaginary life
Reproduced in the age of reproduction
Signatures but not in cursive
Howls of the coyote horde
Or a pack of two, how would I tell the difference
Recruiting
Meanwhile the facts
Dig in on the topsoil
Just before the frost comes
Or the frost giants
And we’re the giants, I try
To remind myself
But it won’t keep
Executive desire
Forgetting
At bay
Dinosaur footprints
Do you just flip a switch
And the noise stays out
Like a mushroom
In the pantry
The red books go white
The yellows stay yellow
Marching, marching
On the march
How dare you

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Happy Anniversary

I never intended to marry imagined I’d have books too many records whose length if played one after the other would last longer than the life I’d have left I suppose there would be friends thrill of morning coffee scent moving in & out of rooms occasional late afternoon tea the quiet of green pearls opening in hot water or maybe I’d only be able to afford a single room, still it’d be enough sun in backyard filled with poets all summer long fancy adult drinks with garnishes & beers aplenty once Nerissa sang while Des plucked an upright bass I still have photo of Ken with Ted whose holding a large flip phone 

the interior mostly subterrain (what they refer to in Boston as a garden apartment) but this was Brooklyn & it was simply called lucky lucky that is to live alone the place inhabited by two poets prior: first Amy & then Sommer that place got condemned the garden boxes dispersed ladybugs found new homes—such a delicate wind from their wings

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In Cahoots at the Crossroads

In the direction of a) pirates 

b) emus c) the cockatrix d)

define oblivion. What was known

was the sun was remote and everywhere

and unimpeded. No longer

within its light? The majority (70%)

of the planet’s wild. That was during

a pandemic named for the sun’s crown

in the age of grotesque domestication.

Before then, an all but forgotten account

of the age of buccaneers who proclaimed

they came from the seas (i.e. no nation).

And before then, from a snake’s egg

hatched from a chicken, a most fabulous monster

with laser eyes (i.e. etching the membrane

of reality) and poison breath (i.e. not-

boring poetry), from the Late Latin

Calcatrix, as a translation from the Greek

tracer, tracker–or old slang for a

Wife of Bath wanderer when

I now most want to tell you

how emus won a war

against humans

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Twin Cities

While the fool in her detriment doesn’t see the edge and falls, 
in exaltation she heralds endless possibility.

Trial and mirror two snakes twirled around the healing word.
Wand. Wind wending towards two wings. Two sentiencies twining.

Sentences trouble. Having lived in such a way, I, a queen
of manifold error, can safely say: Don’t forget your demon.

Shadow you have a twin? How do you like to be summoned?
What is the best moment in a breakout group to bring up placentas?

If it’s true meaning flows so abundantly and multiples itself
d i s i n t e g r a t i o n occasions rearrangement.

Side-by-side consciousness. Give up the sacrificial virgins
in a sylvan world a carpark a zoo a megalopolis a magnetic field

at the Golden Fork Buffet in the Golden Age of Romes.
Ambervision: the good, the bad, and the ambivalent

leave space for continuation and digression a dip into
the milk pool of day that at night finds its double

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The chalice

Sprites can be generous
They bear gifts so long
as you are never grateful
giving doors to trees
torn, delaminated, husked
by winter’s end
hanging twigs and chimes
in the chimes tree
adorned by ribbons
a frog on the bank
tumbles in meditation
living so fully
in the moment
it forgot to live
I stuck a note on there
but it fell off
THANK YOU
I back away
cloudsick
burying the lupines
on the top of the hill
tending merry moss
appleseeding, still stumped
trying to ascribe
the trembling
of the earth
to the little voices
of sprites
words like “sublime”
“wonder” “awe
“trembling” “fear”
opening your mouth
to catch the sound
baa say sheep
maa say lambs
the future isn’t hypothetical
it only hasn’t happened yet
Every moment
therefore, is an irony
A macroscope
may help with
being eponymous
There’s no reason
in a land
of many languages
that feeling should
get a word
but not this one
gratitude
inhering in the giver
massaged with
oil of unidentified
a pox or
pestilential light
I want to have
what I have
postdeluvian
I understand flowers
and giants and notes
and frogs tumbling
into swamps
but I still can’t
make sense of
the headless cupid
in the hollow tree
did you put it there?

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Dash My Wig

This moment with its unsmooth contours, attention unfolding from the abyss

between given and received, or subject and object. We have to mostly agree

on the abyss, or at least agree to share it, but orientation matters. Reminisce 

about how we came to share this particular primordial chaos, to be deep-sea

edge or deep-earth bound, as if I didn’t return home from work and lose patience

with Coco and Desmond, as if I returned home from work to the beastly human pathos

of my family, could just tolerate my love, the legwork required for virtuous complacence.

Some arrivals unsettle. My arrival home from work. A refusal to parse where the chaos

comes from and how while creating more chaos, the mise-en-abîme of mise en abyme. 

I came home and was not on board with the moment’s particular iteration of the void,

could not vibe, could not parent, could not be a container for the mixed archaeology

of feelings, the way I fail to inhabit my various inheritances and the way I inhabit

them perfectly. So I remove the magnetic blocks from the bathtub that are scraping

the bathtub coating and tell Desmond, without humor or irony, that I will remove

his bed tent if he continues to do x, y, and z. Sad girlfriend, nagging wife, stern mother. 

I cannot believe I behave this way and yet I can and do behave this way, easily.

A queer genealogy seems like something I should have to earn, which is a very

unqueer way of thinking about inheritance. Lines do not always direct us, somehow.

Once settled and unsettled my ancestors did not return but instead turned toward

somewhere else, until the act of turning toward somewhere else became its own

line. Is the angel of history relevant here? I don’t think white people can refuse whiteness,

but we can refuse to follow its lines, refuse desire for domination, for

productivity, we could become collectively angry about whiteness and reorient. 

When Desmond wigs out I think of all the times I pick fights over the most minor

thing possible because the magnitude of rage or despair is too much.

I picture my late eighteenth century ancestors saying “dash my wig” to avoid

stronger imprecations. Do not avoid them. Scream, punch your pillow. Dream.

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Vertigo

I wanted to know about the bright star
in the southwest
so I took out my Night Sky app
and held it up to the heavens

“Are you Sirius”
in the constellation Canis Major
a ghastly dog
in the Night Sky?
yes you are

I pointed my phone at the ground
and gasped
to see Saturn, Neptune, and Mars
way down & out
through the earth
not up in the heavens at all

I tried to show you but
you said
“You’re going to give me
vertigo”

Up ahead
a car was blocking the sidewalk

Then you said
“I’m afraid I might run
straight into that car up there
and roll over”

And I said
“You’re not afraid—
you want to roll over that car!
Did you know vertigo
is caused not by the fear of falling
but the desire to fall?”

And you called this poetry
not science

And I admitted
I probably learned it
from the poets

whose utterances
are always true

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diary 21

[ w/ bright green large format dot grid & black ink ]

the first window
leans with claws
sweeps small
around the gums
hasn’t opened
a line so the line
divides
& then the line
divides herself
the duplicate
divides the same
it fails us
only as soft as
always

[ duplication wides to catch — edge of wind — dead of mouth — the red of her tissues or the red of the future — her mouth yet unformed — her sequence false repeats — at the window — but not in the window — not in twos — not anymore — not daughter —

we didn’t make her —

we wanted — ]

i open my daughter
the wind of her
she leaves lines
on the future
she has yet to
worship anything
i say a prayer it’s only
the idea of her
& in the idea she herself
divides
& the wind
divides
we perform division
& still a daughter
only ever
only daughter
or other
still ever
i wanted you

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Summer Rain

A translation of a poem by Yen Ai-lin.

Summer Rain

It slowly collects milk

until it looks ready to burst.

Suddenly, the sky’s become a huge breast,

copious mother love

nourishing every creature crying to be fed.

like a hoard of snakes

surging into the city’s invisible arteries,

mixing with the mess of junk food already already there,

heading straight for the stomach.

Look up;

the sky’s already got that after-a-feeding look.

A shriveled blue pasted overhead.

*

**

*

暑雨

它滿滿地蘊飽了奶汁

像是突然會噴灑出來。

倏然間,天空變成一只大乳房

豐沛的母愛

滋潤了每個嗷嗷待哺的生靈。

那過剩的乳汁

彷彿蛇群一般地

竄入這城市的隱形血管,

混雜著原本攝取過多的垃圾食物

直通賁門。

抬頭一看;

天空已是哺育過後的樣子。

藍,乾乾癟癟地貼在上面。

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FOGBOW

As a child I was afraid the suction senders at banks

would suck off my mother’s hands

but now I miss them and hidden tunnels

Collective girl voice as self discovery

I like to do it in spring when they cut off all the dead skin

If by cleaning you mean organizing that’s what I’m doing

The Supreme Court is a dumb name for a court

The miracle of peppermint essential oil

It is so easy to be a spy if you have legs boobs or eyes

Never miss folding napkins for the conversation

a fully set table is a kind of power play

Women diplomats

Obviously the white whale represents the self defeating aspect of colonialism duh

I want a thousand teenagers to read on my couch

Galloping into Hepburn territory 

Two more hours of a train that sounds top heavy

and about to collapse because there is no other option

The next book I’m going to read is every book

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VALUE VARIATION DELINEATION AND MEANING

I see it for what it is now

That when she describes what she did or what was done to her

She is afraid of intimacy

Sex is not a train sex poem but a relaxed openness with eyebrows

She is great and untouchable

She is afraid of spending money

She didn’t trust the label

Unable to smell peanut butter

She can’t hire a babysitter

She won’t get a pace maker

This plastic bottle refills the other plastic bottle

What’s weird with the dog is you

You only asked me if I minded if you could sit here 

because you have no etiquette 

which is preparedness 

for always knowing what to say in every situation

Never give away your power

Watch Buffy

As soon as I begin reading I pet my eyebrows

When you think of teaching do you think lessons or meaning

When we play with pretend defibrillators 

we also pretend chest raises

I type diarrhea until it is no longer highlighted as a misspelled word 

just a correctly spelled experience

I have a spray for what is about to come

I don’t really like laying around in bed

but linger at the table after every meal

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Life Cycles: Eugene Some Summer or Another

in Eugene feet thru high 
grass already going
yellow even though Autumn
is months away
abandoned field rumored
once to be hippie commune floppy
frisbee slits thru still
air Elizabeth’s arm reaches
ever upward Tamara
with a bag of books college
blues on weekday afternoon
how many days of rain
did we wait out
the sun a few sun-
flowers stranded
here & there our final
summer unknown
to any of us a season
later as pumpkins were carved
imagination remade by sewing
needle’s rhythm a bus back
to Philly broken-
hearted listening
to some mopey Sunday’s
song on repeat Utah
one stunning plateau
after the next road
stretching further emptiness
the boy next
to me from Alaska
living out his cracked
Kerouac visions how many
versions of ourselves enter
& exit periphery hacky sacks
hippies given way to hip
hop & graffiti bottom
of my jean pocket
lint of what
was left behind

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The Purpose…{18} (on 23)

underworlded    where messages
relay decay cooperate
late to the roots lattice later
to listening without hot needs
moon birthed moon lulled what can depth know

but weight equal on either side
of a membrane rupture conveys
cease & suddenly another
death biz each end high fives begin
erupt Chernobyl fungi go

towards radiation passages
of not only time hark bullate
heartened harmscape black frogs acres
learned else said nah on went fatigued
soiled like rich soil as home
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Pink moon

Ms. Pac-Man, née ?
Ob is the best prefix
Oblong, obtuse

The trapezoids
Are trapezoiding again
Which means

A solution for the trapezoids
Was devised once
Perhaps not long ago

But the engineers were reassigned
On moon shots
Maybe waterproof robots

The expertise was lost
Like yoga on Sunday
Hairy hearted and barely numinous

With the creak of poetry
A politics without imagination
Agreement gauges

Safe as telephones
Or prophesy machines
Open your clock hands

Plunge him in water
Fast as you can
And cover in green

The next word of the sentence
Comes thenlessly
From the about to, just as predicted

Does that sound familiar
The song of the sparrow?
The ong of the arrow?